Is the casino open Christmas Day? - Hollywood Casino Columbus
Is the casino open Christmas Day? - Hollywood Casino Columbus
Christmas Buffet | Meskwaki Bingo Casino Hotel
Homepage | Christmas Casino at Rising Star
Gran Via Christmas Buffet Menu - WinStar World Casino and
Gun Lake Casino is staying open with changes
Open on Christmas Day - Zia Park Casino
Soaring Eagle Casino & Resort
Christmas – Kewadin Casinos
COVID-19 Casino Tracker - American Gaming Association
Harrah's Cherokee Hotel and Casino - Official Website
are casino open on christmas
are casino open on christmas - win
Album of the Year #24: Run The Jewels - RTJ4
Artist: Run The Jewels Album: RTJ4 Date Released: June 3rd, 2020 Listen YouTube Spotify Tidal Apple Music Artist Background The duo consisting of Atlanta rapper Killer Mike, and legendary underground produceMC El-P, known together as Run The Jewels, originally came together as a result of Adult Swim executive Jason DeMarco who introduced the two in 2011. After his 2011 album PL3DGE peaked at #115 on the US charts, Killer Mike told Jason that he wanted to make his own AmeriKKKa’s Most Wanted. Jason informed Mike, “If you want AmeriKKKa’s Most Wanted modernized, the only producer I know who comes close to the Bomb Squad-level of production is El-P”. The duo’s chemistry was immediate, as El-P went on to produce all of Killer Mike’s 2012 last solo album R.A.P. Music, and Mike featured on El-P’s final solo album Cancer 4 Cure. Mike and El’s respective albums released within a week of each other in May 2012, and the two embarked on a twenty-city US tour in the following months. After returning from tour, the pair had found a friendship growing between themselves, and made the decision to put other projects on hold and focus on the chemistry that had been sparked. Recording at an upstate NY studio beginning in April 2013, the duo re-appropriated the phrase “Run The Jewels” from the LL Cool J track “Cheesy Rat Blues", and released their self-titled collaborative album, for free via digital download, only a mere 2 months later in June 2013. 36” Chain vs. Pistol & Fist Run The Jewels discography currently exists in a distinct pairing. With Run The Jewels as their debut, this record set the group's tone as a light-hearted, braggadocious duo with as much confidence in their abilities as swag in their punchlines. Just over a year later, the sequel Run The Jewels 2 took the foundation set from their freshman effort and dialed the insanity up to 11. RTJ2 pushed the boundaries of their aggression and flows to new heights; with incredible energy in their verses, and absolutely impeccable beats, blending El-P’s signature industrial sound with sharp synth arpeggios, chopped Zach De La Rocha vocals, and absolutely bonkers Travis Barker drums. It was then nearly 3 years before Jamie and Mike followed up their breakout RTJ2, with Run The Jewels 3 being released again ahead of its scheduled release date via free digital download, this time on Christmas Eve 2016. Instead of these two attempting to outdo the pure insanity and in-your-face attitude found in their predecessor, Mike and El decide to evolve themselves as a group. The duo had noticeably pulled back on the swag and dick jokes which made such a splash on RTJ2, instead choosing a more subdued, electronic approach to their beats, as well as a clearly stronger political approach in their lyrics. This change in sound and style is demonstrated in the album cover’s artwork. The first two records featured the distinctive RTJ “Pistol and Fist”, with the fist tightly gripping a chain. The chain, in my opinion, represents the swag and braggadocio that drove the aggressive nature of their first two albums. In RTJ3 the chain is removed, leaving only hands that have transformed from bleeding and bandaged, to a pristine gold. This brings us to early 2020. It’s been nearly 4 years of living in a post-Trump America, and El-P announces that Run The Jewels fourth record has been completed. Mike and El live-stream the first single “yankee and the brave” on Instagram on March 22nd, 2020. Lyrically and sonically, RTJ4 exists as the successor to Run The Jewels 3, with Mike and El again taking the good from their previous effort and launching it into the creative stratosphere. El-P’s beats are again leaning towards the synthetic, electronic side, this time with the intensity dialed all the way up to 11. From a lyrical perspective, RTJ takes the politically-charged lyrics from their predecessor, and again, up the ante, laying down some of the hardest hitting and politically poignant bars either of these two have ever spit. Album Review 2020 was a year that none of us will soon forget. An unprecedented global health crisis kept the majority of us inside for months at a time. RTJ4 was announced on May 12th, 2020, with a release date slated for June 5th, 2020. However, with 2020 as the gift that won’t stop giving, the end of May was highlighted by the unjust killing of George Floyd. The phrase heard around the world, “I can’t breathe” instantly became a rally-cry for the oppressed to finally take to the streets to demand systemic police reform, as Floyd’s death was not the first time this phrase was uttered in an unjust police killing. In fact, a 2020 study by the New York Times showed that at least 70 people have died in police custody after using the same phrase over the past decade. As millions of American’s began organizing protests and demonstrations in the wake of Floyd’s death, Run The Jewels made the decision to release their latest chapter two days ahead of the scheduled release. El-P tweeted, just minutes ahead of the drop, “Fuck it, why wait. The world is infested with bullshit, so here’s something raw to listen to while you deal with it all. We hope it brings you some joy. Stay safe and hopeful out there and thank you for giving 2 friends the chance to be heard and do what they love”. In line with all past Run The Jewels releases, the album was made available for free digital download, two days ahead of its scheduled release date, on June 3rd, 2020. THE RETURN (we don’t mean no harm but we truly mean all the disrespect) RTJ4 opens with the first single, “yankee and the brave (ep. 4)”. Using the team names from their respective hometown baseball teams, Mike and El use the opening track to prove that they’re not just a hip-hop duo, they’re brothers, for better or worse. El-P kicks this installment off with rapid-fire, machine-gun esque snares, matching Killer Mike’s aggressive flow and tightly packed rhymes, before El jumps in to trade some dense rhymes as well. Mike and El depict themselves as outlaws, with Mike surrounded by cops with only one bullet remaining. He contemplates suicide instead of allowing the police to take him alive, until El-P jumps back in, offering Mike a way out, with a getaway car waiting outside. This tense situation is depicted lightheartedly in this song’s music video, which was released via Adult Swim and features the duo animated. The trade-off between Mike and El’s short verses are reminiscent of late-80’s EPMD flows, while the production sounds like boom-bap that’s been sent to us from the future. This distinctive blend of old-school rap roots and forward thinking production is what continues to separate Run The Jewels from absolutely all of their contemporaries. While so many artists are continually playing catch-up with the latest trends, RTJ are side-stepping the trendy and moving forward with the mind-bending. FLEXIN’ (ayo one for mayhem, two for mischief) The second single “ooh la la” samples a Gang Star track "DWYCK (feat. Nice & Smooth)" as the basis for the chorus. I say “samples” as that’s how it is credited in the album’s liner notes, however it’s truly an interpolation of Greg Nice’s bar, slowed down slightly, and sung by El-P and Greg Nice himself. El-P is a true old-head at heart, and it’s abundantly obvious in his work, even going as far as to recruit legendary producer DJ Premiere to handle the scratching on the back end of this banger. Out of key piano chords are looped to quickly create an unsettling aura surrounding the track, before El-P’s voice cuts through the infectious piano like a whip. Pounding, up-tempo drums are introduced after the chorus’ first iteration, creating what is possibly El-P’s first danceable beat. Lyrically, Mike and El-P initially seem scattered on this track, however the music video quickly makes their point very obvious.
”we imagined the world on the day that the age old struggle of class was finally over. a day that humanity, empathy and community were victorious over the forces that would separate us based on arbitrary systems created by man. this video is a fantasy of waking up on a day that there is no monetary system, no dividing line, no false construct to tell our fellow man that they are less or more than anyone else. not that people are without but that the whole meaning of money has vanished. that we have somehow solved our self created caste system and can now start fresh with love, hope and celebration. its a dream of humanity’s V-DAY… and the party we know would pop off.”
The video envisions a society celebrating the fact that the class system we currently exist within has finally imploded. Money is worthless, and we have rejected the desire to bind ourselves to the constraints of capitalism. All creeds and colors unite to burn the system that has so effectively controlled us for over a century. It’s a party, and if there was a song to celebrate the end of the world as it is currently known, “ooh la la” is that song. Mike’s last verse features a few metaphors and comparisons celebrating the destruction of capitalism, saving the most poignant for last:
I used to love Bruce, but livin' my vida loca Helped me understand I'm probably more of a Joker When we usher in chaos, just know that we did it smiling Cannibals on this island, inmates run the asylum
Premo’s expertly cut scratches lead us into the equally hard hitting sample flip of “Misdemeanor”, by Foster Stevens as the basis for the beat to “out of sight”. Lending yet another nod to the old-school greats that laid the foundation for RTJ, “out of sight” samples the same track as The D.O.C.’s “It’s Funky Enough”, only adding a bouncy, electronic synth atop the inverted chord hits, and uptempo, industrial drums, to create an absolutely infectious groove for Mike and El’s dynamic chemistry to shine, rapidly jumping between each other’s two line flows in the first verse. “out of sight” shows each MC providing insight into how each of them earned a living and achieved their current status. Mike and El’s opening verse each details themselves robbing people in order to eat. El alludes to the fact that he crossed his accomplices in crime for the whole bag, while Mike details the fact his assailant tells him it’s an “honor” to be robbed by his mother’s only son. While El-P’s production is the obvious stand out on first listen, Killer Mike comes through with one of the most sonically pleasing and technically proficient verses of 2020.
We the motivating, devastating, captivating Ghost and Rae relating product of the fuckin' '80s Coke dealin' babies, never regulating, bag accumulating It would not be overstating to say they are underrating The pride of Brooklyn and the Grady, baby We don't need no compliments or confidence Our attitude and latitude is "fuck you, pay me"
The dense, intricate rhyme schemes smack you in the face, almost distracting you from Mike’s delivery and blistering flow on the verse; flexing his legendary status while paying homage to his drug-dealing past. This absolutely stunning display of technical skill, story telling, and complex rhyming illustrates how RTJ seamlessly integrates the best of both old school and new school hip-hop. “out of sight” also features a guest verse from 2 Chainz, and he continues to lay the braggadocio on thick. Considering Tity Boi’s dedication to trap stylings, his verse feels right at home on the flex track, despite it’s late 80’s tribute sample, a considerable departure from his usual sound palette. Up until this point, I haven’t mentioned any of the El-P’s lyrics specifically. El-P is a great rapper, but Killer Mike… Well, Killer Mike is an incredible rapper. He’s the guy who draws you in. El-P is the one who lays the foundation for greatness and Mike is the show stopper, and that’s generally the case for most RTJ tracks. But on “holy calamafuck”, El-P seems determined to make people stop and ask, “Who the fuck is this?!”. A sharp, yet nearly minimalistic drum kit backing a heavily distorted synthesizer melody lays beneath rhymically knocking cow-bells. This aggressively set stage allows Mike and El to flex as the dynamic duo they are, until the beat suddenly takes a turn for the chaotic. A gnarled, ultra-menacing synth overtakes everything while Mike screams into the abyss, until a distorted snare, enormous 808s, and skeletal hi-hats cut through and launch the beat switch into another dimension. The minimal, yet incredibly dark soundscape allows El-P to snap in a way I have never heard from him previously. His rhymes schemes are reminiscent of an old MF DOOM lyric notebook, while his topics flawlessly combine flexing, psychedelic use, and his well-cemented legacy in the hip-hop community. Cutting and pasting a few of his bars into this review could not convey a fraction of how stunning El-P’s performance on “holy calamafuck” is. Slightly later in the track list, making liberal use of the Ether song “Gang of Four”, “the ground below” samples and loops the sharp guitar riff and adds aggressive, pounding drums as the basis for the beat; this is finally reminiscent of the forward-thinking, stridulous production El-P has built his reputation on. Capitalising on the classic RTJ moment, Mike and El both flex in their own unique ways. Mike compares himself to Godzilla taking on Tokyo, and El-P demands respect for his name as the legend he is, threatening to smack dying children for mispronouncing his name with his middle finger to the world; his complete disregard for human life and confidence in his abilities are summed up at the end of his verse.
You see a future where Run the Jewels ain’t the shit Cancel my Hitler-killing trip Turn the time machine back around a century
SO¢IAL JU$T-ICE (until my voice go from a shriek to whisper...) While the first few tracks aren’t without their social and political themes, the back-end of RTJ4 is where Mike and El start to bust out the heavy topics. “goonies vs. E.T.”. starts off light, with El-P pointing to the irony of how once he finally started to make it “big” in the industry, the world began to descend into chaos due to climate changes, increasingly obvious social injustice, and political madness. He culminates his frustration with our disregard for the Earth with a fantastic quotable.
Fuck y’all got, another planet on stash? Far from the fact of the flames and our trash That is not snow, it is ash, and you gotta know The past got a wrath, it’s a lover gone mad
Mike’s verse takes the light-hearted frustration expressed by El-P, and turns the aggression to the next level. Aiming his sights against the ruling class and their society that’s been designed to oppress people for profit, who have very meticulously painted themselves as celebrities and idols to the American public. Mike accepts that he will be villainized by these people for speaking against them, but he welcomes the nefarious role, knowing that the working class will eventually eat the rich, no matter how much they are stomped into the dirt. And this is just the warmup. If it’s possible for a song to represent a moment in time that captures the absolute shit storm that has been 2020, “walking in the snow” is that song. It’s release coincided perfectly with the protests for George Floyd which were sweeping the nation. Killer Mike’s verse directly references the phrase “I can’t breathe”, the last words of Eric Garner, which also happened to be the last words of Floyd as well. The fact that this verse was reportedly written in November 2019 perpetually underscores the importance of the content and perfectly represents how persistent this problem is. “walking in the snow” is a true encapsulation of both a defining moment in time and an ever-persisting issue. But he doesn’t just stop at the racial injustice. Mike goes on an absolute rant about the American education system; how it’s not designed to teach people, but to discriminate against poor populations, limiting their legitimate opportunities, and therefore disproportionately leading them into a criminal lifestyle. He calls out the media as fear-mongers, and the apathy of the American public in the face of indecency. Fortunately for Mike, by the time we finally had the chance to hear this masterpiece, we were already on our feet, using this album as a war cry to mobilize against a tyrannical government that militarized against its own citizens simply for asking that we recognize systemic racism and demanding change. Killer Mike has the best verse of the year, no doubt in my mind. The only drawback is that Mike’s verse is so fucking good that it completely overshadows El-P’s, which is also amazing. A menacing guitar riff and haunting synths kick the track off into a bouncy groove, where El-P unleashes a flurry of internal rhymes that does not relent for about half his verse. Even adding layers of social commentary within the densely packed bars, El refuses to quit and continues on his political tirade; criticizing ICE’s detainment center practices and the “pseudo-Christians” who support them, with a bar that now lives in my head:
Pseudo-Christians, y’all indifferent, kids in prison ain’t a sin? Shit if even one scrap of what Jesus taught connected you’d feel different what a disingenuous way to piss away existence, I don’t get it I’d say you lost your goddamn minds if y’all possessed one to begin with
The combination of two of the best verses spit by any rapper(s) this year and production help from El-P and long time RTJ collaborator Little Shalimar, create a bouncy, aggressive, deeply truthful banger. “walking in the snow” not only encapsulates the crux of 2020 with lyrics that will become more powerful as they age, but will also forever be associated with the Black Lives Matter movement and the determination to expose continuing racial and societal injustices. The sonic palette of RTJ4 holds an extremely unique place in El-P’s discography. Jamie is the definition of a self-made 90’s hip-hop legend. This is the dude who put New York underground hip-hop on the map with Company Flow, and he did it with his unique flavor of dark, noisy, dense, boom-bap. Whether he was doing it with the help of Rawkus, or completely independently during his Definitive Jux run, El-P has never made music with the intention of becoming famous. Funcrusher Plus, Fantastic Damage,I’ll Sleep When You’re Dead, and Cancer 4 Cure are all highly revered as industrial, technical, abrasive, and completely unsuitable for the radio or a party. The fact that three songs on RTJ4 could easily be heard on the radio, at a party, or in a TV series credits scene is frankly, astounding. In a 2002 interview/documentary on El-P’s budding record label Def Jux, he stated that his friend bet him $500 that he could not make a beat that was “happy”. At the time of the interview, El-P said that he had not won that bet yet. While I might not qualify the beats on RTJ4 as “happy”, if you showed El-P the beat for “JU$T” in 2002, I believe he might have won that bet. Pharell opens “JU$T” with the pre-chorus, spitting varied examples of how we’re all slaves to our current system throughout the track, over echoing snares and bouncy 808s before bright synth chords and up-tempo hi-hats burst in while Killer Mike delivers the chorus, pointing to the fact that the majority of the people featured on American currency owned slaves at one point in their lives. Mike’s verse touches on the fact that he has committed crimes to get where they are today. Mike is publicly open about his past as a drug dealer. So why is he a criminal, but Benjamin Franklin isn’t? These are the people who built our country, and they built it on the backs of slaves. He illustrates this theme with a more recent examples:
You believe corporations runnin marijuana? Ooh (how that happen?) and your country gettin ran by a casino owner (ooh) pedophiles sponsor all these fuckin’ racist bastards (they do)
When corporations are able to sell cannabis legally, but the government continually incarcerates people who trap, our president is a notoriously fraudulent businessman, and the people who helped put him in power run a pedophile ring, yet none of them face consequences and are allowed to continue to profit and remain in power while people suffer; well, we might be closer to slaves than previously imagined. Rage Against The Machine frontman Zach de la Rocha also makes his mandatory feature appearance at the end of “JU$T”. As the only artist to feature on three Run The Jewels albums, Zach is essentially an unofficial member of the group at this point. His fiery verse is spit with the same “Rage” energy that set him apart in the mid-90’s, ending the track questioning his place in a capitalist society as a recipe for his inevitable demise, since his “breath”, or art, as his weapon to express himself is still being exploited for other’s profit. Continuing with RTJ4’s heavily synthetic sonic palette, “never look back” features wavering synth leads resting above the slow-jams snappy snares and thumping bass, while a haunting voice echoes in the background. This unsettling aura provides additional gravity for Jamie and Mike to continue self-reflecting on defining moments in their childhood, and as well as how far they’ve come from those moments. Mike and El are both self-made men, and while they have a certain fondness for those gritty moments that defined them, moving forward in life is undoubtedly more important. Skeletal drums reminiscent of a slowly pounding heart opens “pulling the pin”, before rhythmic hi-hats and textured, watery synths fluttering in the upper register resting above a bouncy synth lead, and punchy 808s, burst in. The track digs itself into a slower, marching groove and shows the duo figuratively doing exactly what the title implies. Painting a portrait of a society that has turned on itself, Mike and El are ready to pull the pin and start over. The duo both detail their despise for the ruling class, pointing out multiple examples of how the elite have designed our society to keep poor people in their class. Simultaneously recognizing their own hypocrisy for profiting in a system that inherently discriminates; Mike reflects on his own success, knowing that living the lifestyle he enjoys is one built on oppression, and expresses the guilt that has caused him. El-P opens with a brutal metaphor for police, implying that they’re the root cause of the “wretched state of danger” our society exists within, and that the only effective corrective action is to numb yourself with drugs. Despite his advice, Jamie knows this is not a permanent solution, but one that causes more self-inflicted wounds. The final piece of the puzzle that is RTJ4, “a few words for the firing squad” begins to close the album with ever crescending strings, and loud, thunderous drums which never seem to resolve, continuing throughout their verses. While the drums that lead to nowhere can be sonically unpleasant, the unresolved melodies are intentionally representative of their current mindsets. Their verses are reflective and grim, but simultaneously optimistic and envisions a world where tragedy is a less common occurrence. El is grateful for what he has now but recognizes his entire life has been skewed by traumas, so out of place feels normal for him. He reflects on his current success, noting that the worst people tend to end up with the most, which makes becoming “rich” something not as desirable as it once was. Mike opens up about the death of his mother who died while he was on an airplane, admitting his struggles to not cope with his trauma with opioids. However, his wife provides him the most important reason to stay clean “but my queen/say she need a king/not another junkie rapper fiend” while a heartbreaking saxophone solo highlights the gravity of his lyrics. The track ends with what sounds the like wrap-up voiceover to a TV show, a conceptually satisfying ending, as the opening track “yankee and brave (ep.4)” began with El-P stating:
”This week, on Yankee and The Brave”
This voiceover paints the duo as brothers on the run from the law and crooked cops, and while this does close this “episode” out as intended, the critic in me is bothered by the slightly kitschy outro to such a spectacular album. The voices singing over and over, “Brave, brave, braaaaaave, Yankee and the Brave” would be, simply put, better left on the cutting room floor. The ending of this track alone is what knocks my score of this album down a few points. Despite its stellar lyrical content, with drums that never seem to reach that “holy shit!” moment, and the easily skippable outro, it’s upsetting to me that an album this great ends on such a low note. Overview RTJ4 is by far my favorite album of the year. El-P’s cutting edge approach to their sound, blended with lyrical content that continues to be more relevant by the day, the duo have come together with what is objectively their most accessible album to date. RTJ4 is the natural evolution of sound and subject matter for the duo; taking the foundation set by Run The Jewels 3 and evolving it into a more concise, more accessible, and more conceptual album. While I still personally prefer the “fuck the world” intensity and experimental nature of Run The Jewels 2, RTJ4 opens themselves up to a whole new world of exposure, and when you’re as talented as these two, you know they’re going to capitalize on it. RTJ is currently at their apex, and they’ve created an album that will make many new life-long fans going forward. 9.2/10 Discussion Points
How does this compare to other RTJ releases? How about in comparison to the member’s solo works?
Does the overwhelmingly positive critical reception of this album surprise you?
"Couples on Surviving Trauma and Loss: Five partners whose love has endured seismic changes, from refugees forced apart by war to a couple left with horrific injuries" The first two stories in the article are legit: a couple in a terrible car accident and a couple separated by the Sudanese civil war. Then things start going to hell and get worse and worse. All of the things that FDS warns against are here: codependency, gaslighting, lying, cheating, excuse-making, blame shifting, martyrdom. Women continue to be conditioned to accept sub-par treatment by these kinds of narratives. The ladies of FDS refuse to help relationships "survive trauma" that is LITERALLY CREATED BY THE MAN IN THE RELATIONSHIP AND HIS SELFISH AND OVERALL TERRIBLE DECISIONS.
‘I was in prison for 2,192 days; she wrote to me almost daily’
Laure, 58, and Jerry, 62, survived his jail sentence for causing death by dangerous driving. They live inAlabama, and now run a support network for the families of prisoners. Laure Jerry and I met in 1995 and married four months later. I tell him all the time I would marry him again, but faster. We’d both been married twice before and dating was the last thing I was looking for. But he ticked all the boxes. I had two daughters and he had one. We moved our family from Tennessee to Alabama, to raise them in the country. We were living the dream. But on 17 March 2003, it was shattered when Jerry caused a head-on car collision which killed a young mother. He had been driving drunk. I felt rage, betrayal. When we met, we were both recovering alcoholics, so I had only known him sober. Now a life had been lost. I didn’t want him dead, but I wanted him to hurt real bad. We lived in a small town, and I grieved for that family. I felt embarrassment. I had to get to the forgiveness part quickly so I could get through each day. Jerry spent 10 days in the ICU. He pleaded guilty to manslaughter and was sentenced to six years in prison and 19 on probation. I was scared – emotionally, practically, financially, spiritually. I wanted to stay married but didn’t know how. I didn’t know what you do when someone you love is in prison.
His first year home, we argued all the time. I’d put my hand on his shoulder and he’d push it away
I wrote to him almost every night. I could afford one dollar-a-minute phone call a week and petrol for the 100-mile drive to visit every two weeks. I felt a lot of anger in those first years. I remember burying the cat, crying, saying, “This is a dad job.” I tried to experience the girls’ graduations for both of us. His first year home, we argued all the time. I’d put my hand on his shoulder and he’d push it away; he was still in survival mode. We’re grandparents now and enjoy our family immensely. We run a support network for prisoner families, called Extended Family. I started it six months into his sentence. Jerry will still say, “You stayed with me all those years,” but I don’t think of it that way. I’m not going to make him do the dishes for the rest of our lives. We spent six years without each other; we don’t want to spend another minute apart. Jerry On our first date, I took Laure and her daughters to see Cinderella at the theatre. When I got home, I wrote “She’s the one” on the back of the programme. We had a good life. I had a small engineering business, work grew busy, and we moved cities. But I was in a mess. I got into narcotics but hid it from my family. The night of the accident, I had stopped at a liquor store. I was in a blackout. Moments later, a young woman was dead and I was airlifted to hospital. I was shocked, remorseful, disheartened. My wife has a big and kind heart. I tried to protect her from the police investigation and the likelihood of prison. I didn’t want our girls walking around with the stigma of a dad who had killed someone. In Alabama, incarceration is uncontested grounds for divorce, but there was never a question of Laure leaving me. On an early prison visit, I told her I wouldn’t blame her if she wanted to leave. She looked at me and said, “I’d be more miserable than I am now.” I’ll never forget it. I was in prison for 2,192 days and she wrote to me almost daily. There were guys that got nothing. I felt blessed and honoured. She would arrive every two weeks and I would put on a smile. But I pitied myself; I felt useless, unable to provide for my family. When I came home, I was harsher than before. Meanwhile, this woman I loved had blossomed. I had to adjust. There’s a not a day that I don’t pay for my disastrous decision in some way, shape or form. We worked through the mess I made together, and we’re closer because of it.
‘It was a form of gaslighting. He led a double life’
Keith, 59, and Claire, 57, survived his gambling addiction. They live inSussex. Keith Claire and I had known each other in the 80s, and reconnected online 20 years later. Claire was living abroad, and I was on my way to broke. She’d make short trips to the UK, and we’d laugh through days out and long lunches. She was intelligent, full of life; a better person than I was. I first entered a casino at 16. By 18, I’d borrowed, conned and stolen from everyone I knew. I was an addict. Through adulthood, I’d made and lost small fortunes and entire businesses. I’d play Monopoly for real money, or sit in a room of the club I owned, drinking brandy, snorting as much cocaine as I could. I wasn’t a constant drug user or gambler. When Claire visited, I’d try to keep it together; but then I’d get desperate and make excuses to go to London for “work”. When she moved to the UK with her three kids in 2009, I’d disappear into a room of the home we shared for days, in a heady state of gambling, drugs and porn, too embarrassed to re-emerge. I had intermittent spells in Gambling Anonymous, but I found it hard to ask for help. Claire paid for the house and put food on the table. I never stole from her, but I’m still surprised she didn’t walk out. By 2014, I’d had a heart attack and was nursing my mother, who had cancer. I would drive her to the hospital every day, off my tits, bring her home, make her food, then shut myself in another room and gamble online. I couldn’t see myself in the mirror any more. I wanted to die. On 28 June 2014, I logged on to a website for people seeking affairs and used it for porn. That decision would almost end us: when Claire discovered the website in her search history, she sent me a Dear John letter. The next day, she drove me to residential rehab. The only rule I broke there was asking her to spend one night. I had to save the relationship. I’ve been clean for six years now; Claire is part of the reason why. People talk about languages of love. For me those are quality time, acts of service. Boy, were there acts of kindness and service from Claire. Without her, I could well be dead. Claire I was 18, and a poor student, when I first met Keith. He seemed glamorous, exciting, funny, intelligent. He was also a known gambler, but when we reconnected years later, that appeared to be in his past. Yet, with hindsight, nothing about the start of our relationship makes sense. When I visited, he’d urgently have work or disappear into a room for days at a time. I’d spend hours on edge, struggling to trust him, but he would rationalise his behaviour, omitting huge details, claiming he’d simply drunk too much. It was a form of gaslighting. He led a double life.
When Keith decided on residential rehab, I knew that if I didn’t support him, there was no future
The first time I confronted him, I’d found an empty drugs packet, but he lied his way out of it. I became scared to ask, although we both knew he needed help. When his mother was unwell, he had the perfect alibi. He was an addict but he was responsible – and he took exquisite care of her. I was fearful but I had to get on with life. Advertisement When Keith decided on residential rehab, I knew that if I didn’t support him, there was no future. I didn’t want significant time apart, but when an addict is serious about making changes, you have to put your own needs aside. The most soul-destroying moment came when I found the affairs website. I had been betrayed by gambling and drugs, but my belief in the purity of our love had kept me going. I wrote to him saying it was over. From rehab, Keith proved to me it was only curiosity (there was no activity on his account), and I was open enough to reconciliation to visit him. Emotionally, we’re more independent now, although we share bank accounts and he supports us financially. I’ve grown, too. I used to tell friends that Keith felt like an addiction to me. I’d waited years for a stable home life together: eventually, he walked the most difficult path in order to truly change.
‘Friends saw us as the perfect couple, but it was a lie’
Maryam, 31, and Amir, 33, survived his affair. They live in California. Maryam When Amir had an affair, I had a thousand reasons to leave but looked for the one to stay. Our relationship had started as an affair, too. We had been couple-friends in our previous marriages and used to hang out as a group of four. Then, in February 2017, Amir and his wife broke up and he came on a trip with my husband and me. One night, we were up late, talking, while my husband slept. Amir opened up about his marriage and I began to sense he had feelings for me. I had relationship problems, too, and we started an affair. I ended my marriage. Over the next 18 months, friends came to see us as the perfect couple. They would comment on how loving our relationship was. But I couldn’t forgive myself for how we’d started, and his divorce was a mess. He spent nights with his ex. I broke up with him several times. Things looked great on the surface but we both carried unresolved pain. By the end of 2019, I became suspicious of his relationship with a co-worker. She was too intimate at the Christmas party and he was jumpy when she called. Then I found a credit card charge to a cafe, clearly for two people.
I loved him deep down but anger overwhelmed me. He asked over and over for a chance to prove he could change
It took me 10 days to get the full details from him. It had been going on for months and they’d slept together six times. I couldn’t breathe; I felt stupid. Everything that had gone before felt like a lie. I left him. Amir telephoned non-stop and showed up at my parents’. I loved him deep down but anger overwhelmed me. He asked over and over for a chance to prove he could change. Eventually, I agreed to give him three months. We started individual and couples’ therapy and talked through every detail of our relationship. I couldn’t bear to sleep in the same room as him, but I could look at his face again. I agreed to more time. I see the consistency and changes Amir has made, his commitment. When I discovered his affair, I was ready to give up on our relationship, but we have both grown. No one knows what the future holds and I have my fears. But, right now, I love the way he loves me. Amir Maryam was the first time in my life I felt real love. But we were both married and I told myself it couldn’t happen. As time passed, my ex-wife had an affair and my marriage died. Maryam had problems, too, and I made my feelings known. I admired her looks, the way she thinks. This wasn’t a game that I’d started; it was coming from the bottom of my heart. I was born in the Middle East, in a war zone. As a child, I experienced sexual and physical abuse at the hands of my teacher, but told no one. The human psyche finds soothing mechanisms to alleviate pain. For me, that was sex. I was in the most loving relationship with Maryam. The sex was amazing. We bought a house, enjoyed travelling. But the foundations were shaky and I unconsciously sought more. When I got close to a co-worker, it turned into an affair, starting in May 2019 and lasting several months. It was pure sexual desire. This wasn’t someone I wanted to change the course of my life. We were opportunistic and, in those moments, I became blind to the consequences. When Maryam found out, I tried to lie. I was naive about how much I was going to hurt her. She wanted nothing to do with me. She blocked my calls and texts, and told our family and friends all the details. Everyone who loved me looked at me as a monster. For the first time in my life, I started to wake up. I made fixing myself and our relationship my only priority. I promised Maryam she would see a change, and started intense therapy, twice a week. I addressed my childhood trauma and sought support for sex addiction. I realised how much I was willing to do for Maryam. At the beginning, it was simply about keeping Maryam; but it transformed into strengthening our bond. She has made sacrifices for me, been my guide and love. Every day, I’m more appreciative. https://www.theguardian.com/lifeandstyle/2021/jan/30/couples-on-surviving-trauma-and-loss
“The Canadian Epstein” — Disgraced fashion mogul Peter Nygard's own SON is helping police investigate his alleged sex crimes
Disgraced fashion mogul Peter Nygard's own SON is helping police investigate his alleged sex crimes By Guy Adams Investigates For The Daily Mail 15 Jan 2021 Link to article 'He has become my arch-nemesis. I no longer regard him as my father . . . He is a monster. I am now here to serve in any way I can, to support survivors and the justice process and also to help expose the people who covered up his crimes.' Kai Bickle's world came tumbling down one night in May 2019, when he attended a dinner party at a lavishly decorated mansion overlooking the golden sands of Venice Beach in Los Angeles. The host was his father, Peter Nygard, a Canadian fashion tycoon famed for the hedonistic lifestyle he pursued at a global portfolio of high-end properties, including vast residences in Winnipeg, Toronto and Montreal, as well as New York, and, most notoriously, a Mayan-themed 'private luxury resort' in the Bahamas. Modelling himself on Playboy founder Hugh Hefner, the flamboyant Nygard, now 79, kept a revolving harem of girlfriends. Those caught up (often completely unwittingly) in this web had included actresses Susan Anton and Jennifer O'Neill, stripper-turned-reality star Anna Nicole Smith, and a former Wheel Of Fortune card turner by the name of Vanna White. His Caribbean parties, meanwhile, tended to attract a better class of A-lister. Past visitors to the island property had ranged from Jane Seymour and Bo Derek to Robert De Niro, , Michael Jackson and Joan Collins, not to mention and , who were photographed there in the early 2000s on an innocuous family holiday. The 2019 bash, during one of Peter's occasional business trips to LA, was to be a more down-to-earth affair. Roughly 20 guests, including Kai, 38, and his younger brother Jessar (one of roughly ten offspring Nygard has fathered via more than seven women) had been invited for food and drinks, followed by a late-night poker game. That was the plan, at least. But Kai never made it to the card- table. Instead, he fled the lavish premises in a state of distress, shortly after dinner, believing that he had just witnessed his father attempting to sexually assault an eight-year-old girl. Details of this ugly development are (it should be stressed) strongly disputed, and we shall examine them later. But the incident would kick-start an extraordinary chain of events that culminated just before Christmas, with the arrest of Peter Nygard on nine charges of sex trafficking and racketeering. Currently behind bars, with his $900 million (£660 million) business empire in tatters and the FBI poring over his computer hard-drives, the fallen tycoon has now been accused of rape or sexual assault by at least 57 women. Several of Nygard's accusers were children when the alleged crimes took place, and many claim they were drugged. At least 57 women have accused him. He will appear in court in Canada next week, seeking bail as he fights extradition to the USA. It is, perhaps, the most high-profile and shocking sex case since handcuffs were slapped on Jeffrey Epstein. And in a remarkable twist, it turns out that a leading figure in the increasingly public campaign to prosecute Mr Nygard is his aforementioned son, Kai. Upcoming documentary: ‘Unseamly’ Canadian Designer Peter Nygård True Crime Documentary Behind the scenes, I can reveal that Kai has spent the past 18 months secretly helping both the U.S. and Canadian authorities investigate his own father's alleged crimes. Keeping his role hidden from Nygard and his associates for several months, he has worked tirelessly to assist victims, and their legal teams. On the personal front, he has changed his name (taking up his mother's surname to become Kai Zen Bickle) and used his influence over various Nygard companies to block efforts to move his assets offshore, fearing that would allow him to flee. 'We have been engaged in a brutal battle against my father and his enablers,' is how Kai summed things up when we spoke this week. 'He has become my arch-nemesis. I no longer regard him as my father . . . He is a monster. I am now here to serve in any way I can, to support survivors and the justice process and also to help expose the people who covered up his crimes.' Perhaps most remarkably of all, Kai recently helped two of his younger siblings, one of whom remains a minor, to sue Peter Nygard over claims he 'engineered' the rape of his own sons. In an extraordinary lawsuit filed in August, the boys claimed that their leathery, multi-millionaire father instructed one of his long-standing girlfriends (who was also a sex worker) to 'make a man' out of them. The first of these alleged attacks (which, again, are vehemently denied by Nygard) took place in the Bahamas 2004, when the son was 15 and the woman was in her mid-20s. The second occurred in Winnipeg in 2018, when the younger child was 14 and the woman was in her 40s. Court papers filed by the boys stated that the unnamed girlfriend was instructed to seduce Nygard's son by showering in his bathroom so that he 'could see her naked'. Then she raped him. Afterwards, she allegedly told the boy he 'wasn't bad' for a 'baby.' The next morning, Nygard's girlfriend brought him breakfast in bed, kissing him on the lips and announcing: 'Mommy's got you.' Kai says he first became aware of this appalling incident last spring, and was 'sickened' to hear his brothers' claims. He would often yell and scream at his staff. 'We all spoke and decided the best course of action was to file a lawsuit publicly in the hope that other survivors would feel safe to come forward and also file criminally against Nygard,' he says. 'We were originally going to have me in the suit as my young brother's guardian, but in the end decided not to because it would reveal to Nygard that I was working against him . . . At the time I was [secretly] doing everything I could to improve the odds that he would get arrested.' To appreciate the extraordinary journey taken by Kai, we must wind the clock back to the mid-1980s, when his father was one of Canada's most talked-about self-made millionaires. The son of penniless immigrants from Finland, Peter Nygard had launched his empire in the late 1960s, with an $8,000 (£6,000) investment in a struggling fashion firm. By the time he was 30, the company had become one of North America's most successful suppliers of leisure and sportswear, while his flamboyant eccentricities, which included keeping parrots in his office and filling the lobby of Nygard HQ with bronze busts of himself, turned him into an object of public fascination. In 1987, the party-loving entrepreneur purchased a 4.5-acre patch of the island of New Providence in the Bahamas and set about turning it into a 'dream home' where he could indulge his champagne lifestyle. Over the ensuing years, he built 150,000 sq ft of Mayan-themed buildings, stretching over a dozen 'cabana-style' residences. The buildings at Nygard Cay eventually included a casino, a disco hut (with cameras beneath the dance floor, reportedly to shoot images of revellers from below), and the world's largest sauna, a 6,000 sq ft lodge made from 2ft-thick Canadian pine logs. In the grounds were fake volcanoes that belched dry ice, a flock of peacocks, stone cobras which hissed steam at sunset, 60 ft towers festooned with hundreds of flaming torches (lit nightly by staff) and giant statues of nude women, purportedly modelled on some of Nygard's favourite girlfriends. At weekends, he would host lavish parties, which appeared on various TV documentaries, including Lifestyles Of The Rich And Famous. The place became a magnet for freeloading celebrities and, while Kai believes they generally had the most fleeting and brief relationship with Nygard, photos of their visits were then plastered across company literature and websites. Prince Andrew, to cite one example, was recorded for posterity wandering with the long-haired fashion magnate on the beach, wearing blue shorts and boat shoes. Born in the 1980s, Kai spent the first three years of his life in the Bahamas until his mother, Patricia, left Nygard, with whom she'd had three children but never married. They moved first to California and then to the Pacific Northwest in the U.S. Over subsequent years, he had almost no regular contact with the fashion tycoon aside from occasional visits during school holidays, where he met various half-siblings. 'He would have one family weekend per year at his lake cottage, and a few days set aside for Christmas,' says Kai of the somewhat unorthodox arrangement. 'During those times, the days were filled with activities like horseback riding or mini golf. 'He could be a very charismatic person when he wanted to be and the family weekends were very light and brief.' In the very limited time he spent with his father during childhood, Kai saw nothing that gave him reason to suspect that Peter Nygard was guilty of criminality, though he did have a highly volatile personality. 'He would yell and scream at his staff often, and that always was upsetting to everyone around it, but he would describe his yelling as 'passion' because of his 'high standards',' Kai says. Nygard's children were further told that he 'lived a consensual, non-monogamous lifestyle,' Kai says. 'He made speeches at dinner to family when we were together to talk about how he hoped everyone got a wonderful partner and wished that he could find that special someone, but that it wasn't the life for him. 'He also had girlfriends that were persistently with him, always two or three, and often they were around for years. He wasn't embarrassed about it. He flaunted it on TV, it was part of his brand, something he showed the whole world. He was proud of it.' Be that as it may, rumours of predatory behaviour by Nygard —and worse — had occasionally reared their ugly head, only to be quickly suppressed: a relatively easy task before the internet. In 1980, for example, he was charged with the rape of an 18-year-old, but the charge was dropped when the complainant refused to testify. In 1996, three female employees meanwhile filed sexual harassment complaints in the Canadian province of Manitoba. It looked like his hand was on her thigh, rubbing. One, a 39-year-old communications manager, said that, when called into Nygard's office, she would 'find him in a state of undress . . . with his hands down the front of his pants, fondling himself.' He settled by giving the women $18,500 (£13,600) and denied any wrongdoing. Then, in 2010, a Canadian TV network put out a Panorama-style documentary about Nygard, focusing on alleged sex abuse and harassment of former employees. It quoted a former stewardess on his private plane who alleged that on one journey — during which Nygard was accompanied by a troupe of topless women — he lost his temper with staff, shouting: 'You are nothing! You are garbage! I am God!' The programme also alleged that Nygard had engaged in 'inappropriate sexual contact' with a young woman who had been brought to his home in 2003 from the Dominican Republic. Nygard denied that either incident had happened, and sued to stop the documentary being broadcast. Fast forward to May 2019, however, and those ugly incidents were largely forgotten. Kai, who was by then in his late 30s, had worked for his father's companies for just over two years after leaving college, but quit to pursue a career in activism and health science. Nygard's trip to Los Angeles afforded them a rare opportunity to catch up, so he attended the aforementioned dinner party in Venice Beach. As the night wore on, he recalls becoming uncomfortable about his father's behaviour towards an eight-year-old girl, who was attending with her mother, one of Nygard's old girlfriends. 'He's got her sitting right next to him at dinner, which is usually his girlfriend chair. And he's a creature of routine. So I'm already thinking this is weird. 'He's trying to act like the Papa. It was just weird . . . I'm noticing things. I'm noticing that he's telling her little secrets at dinner. Putting his hand close to her ear and going all hush-hush.' At the end of dinner, most of the other 20-odd guests got up to adjourn to the card table. However, Kai adds: 'I'm still watching him. Her chair gets pushed back. He brings her round to him. 'She was on his right side. He brings her to his left side, with his arm around her waist, and I see his elbow change and start moving as if — it looked to me, I couldn't see, but it looked like his hand was on her upper thigh, and rubbing. That's what it looked like to me . . . Everything in my body told me he was doing something terrible.' 'I had a huge adrenaline rush and I immediately told the mother to get her daughter away from him,' he adds. 'I stood up next to him and looked in his eyes. At that moment, for me, it was like all the walls were crashing down around him . . . And I realised that, yeah, he's probably trying to groom that girl.' Nygard vigorously denied wrongdoing, and even called Kai 'sick' for thinking as much. But Kai was unconvinced. Then, in February last year, ten women filed a bombshell lawsuit in New York claiming that the fashion magnate had used wealth and status to 'entice underage girls' from 'young, impressionable and often impoverished backgrounds' into his home, where they would be 'plied with alcohol' and (some allege) date-rape drugs, before being taken to Nygard's private quarters, where he would 'assault, rape and sodomise' them. Court papers claimed they were then coerced into joining a globe-trotting harem of sex workers paid thousands of dollars from Nygard's company funds and trafficked around the world on his company's private jet, which reportedly boasts a stripper pole. One alleged victim, who was just 14 at the time, claimed Nygard raped her and paid her $5,000 (£3,700). Another said her encounter with Nygard began with him showing her pornography after which he raped her, 'causing her extraordinary trauma and pain', the suit states. Three of his existing ten accusers were 14 at the time. Three more were 15. Within days, dozens more alleged victims had come forward. By the summer, some 57 survivors were pursuing legal action — and the number of alleged victims had reached 100. Kai again confronted his father, only to be told it was all 'lies' and asked to speak out publicly in his father's support. But days later a friend texted Kai to complain about a recent visit to Nygard's house in Los Angeles. 'He said he'd brought a female friend with him, who had one or two drinks and had started to feel very high. Nygard took her up to his room and aggressively had sex with her, not using a condom. 'When I heard that, I knew he was not only as bad as people said he was, but was a dangerous criminal and had to be stopped.' He duly alerted the authorities about the friend's message. In a podcast called Live To Walk Again, released this week, he revealed that he began helping both the police and the alleged victims' lawyers, who he regards as 'heroes'. Over the summer, Kai also used official positions held in Nygard firms to block two apparent efforts to move assets overseas, amid concerns that the tycoon might flee to evade justice. PODCAST EPISODE: Peter Nygard Discusses His Father 'Through the course of ten months I also helped several survivors to file criminally against him, and spent countless hours on the phone with survivors, lawyers and authorities,' he says. Last month Nygard was arrested on U.S. charges at a home in the Royalwood area of Winnipeg. He spent Christmas behind bars and has consistently denied any wrongdoing, saying he 'expects to be vindicated' in court. Kai has renounced his inheritance and is working on 'making the world a better place' by campaigning to close legal loopholes exploited by sex offenders. 'I'm very happy earning my own money, as I have all my life. We've never had a trust fund or an allowance, and since his money has been made through pain and suffering, I won't accept a potential inheritance,' he says. His father's cash, he says, should instead go towards compensating victims. 'My focus now is to help the healing process.'
Greater London in Coronavirus Tier 3 (Very high alert) from Weds 16th Dec 00:01
Due to a sharp rise in Coronavirus cases, Greater London (32 boroughs + the City of London) will move in to Tier 3 (Very high alert) on Wednesday Dec 16th at 00:01. Most surrounding counties including all of Kent, most of Surrey, and parts of Beds, Bucks, and Essex are (or will be - as of Saturday) in Tier 3 as well.
The Usual Stuff
Stay 2m (6ft) away from people that you don't live with where practical, and at least 1m (3ft) away at all times. Do your very best to maintain hygiene, washing your hands and shared surfaces at every opportunity. And of course, you should only do what you're comfortable with. If you have any symptoms of COVID-19, even mild, stay home for at least 10 days until you no-longer have a temperature. Get a test through the gov.uk testing website or calling 119. Others in your household must stay home for 14 dayssource. Most coronavirus cases are mild, but if you're very ill, call 111, or in an emergency, call 999 - DO NOT go to a GP surgery, pharmacy or hospital with COVID-19. Continue to keep NHS appointments for other purposes unless your clinician tells you otherwise or the government changes the advice.
What are the restrictions?
Under Tier 3:
In general, you cannot mix with other households indoors or outdoors, in private or public
There are a few exceptions. You can meet with a group of six (maintaining social distance) in public parks, beaches (good luck in London), open countryside, public gardens (e.g. Kew), allotments, sports grounds, playgrounds, or in the grounds of a heritage site
Pubs, cafes and restaurants will move to takeaway only
Cinemas (other than drive in), theatres, casinos, bowling alleys, and indoor play areas all close
Attractions with indoor parts like zoos or botanical gardens have to close the indoor parts
You should work from home if you can but go to work if you can't and try to minimise journeys
You cannot stay away from home overnight apart from for work, medical, care, or other exceptional reasons
Single adult households can still form a (permanent) mutual support bubble with one other household. There are various other exceptions for things like weddings (up to 15 people), funerals (30 people) and in a few other areas. You can read the full Tier 3 restrictions here. You can leave your home to escape injury or harm. If you break these rules you may be fined from £1000 or more, depending on the offence.
Making a Christmas Bubble
Between 23rd and 27th December the rules are being loosened so we can see close family and friends over the festive period. For these four days you can form an exclusive ‘Christmas bubble’ composed of people from no more than three households Note that:
You can only be in one Christmas bubble and you cannot change your Christmas bubble
You can only meet your Christmas bubble in private homes or in your garden, places of worship, or public outdoor spaces
You can travel between tiers and UK nations for the purposes of meeting your Christmas bubble
if you form a Christmas bubble, you should not meet socially with friends and family that you do not live with in your home or garden unless they are part of your Christmas bubble
Can I visit London now?
Theoretically yes. Many of the typical tourist attractions will be closed during Tier 3 so make sure you check anything you want to do in advance and book the limited space available. Many incoming foreign travellers from higher risk countries are subject to a mandatory two week quarantine. Check if your country is on the list.
Test to Release scheme
Starting on Dec 15th, you can reduce your time in isolation after arrival to 5 days (instead of 10 days) by paying for a coronavirus test. This must be from a test provider participating in the government scheme and you have to opt in on your passenger locator form when you arrive in England from abroad. There are currently very few providers and the tests are quite expensive (£180) but this list will likely be expanded in the coming weeks. You will need to pre-book (there's considerable lead time). The full guidance is here
Can I go somewhere else?
The government advises that you should not leave a Tier 3 area unless for work, education, or some other good reason, and if you normally live in a Tier 3 area you should not stay away from home overnight.
Face masks
Face coverings are compulsory on all forms of public transport and in all shops, takeaways, hospitals and care homes. This is a law and you can be fined if you do not comply. You don't need to buy a fancy respirator, instead think about buying or making your own from fabric, or use a scarf or bandana. As long as you wash them at a decent heat between uses this is much more environmentally friendly than disposable surgical masks.
The NHS App
The NHS COVID-19 app is now available. It uses Apple & Google's co-developed bluetooth protocol which does not transmit any of your personal details to anyone, including the government. It's been used as the basis for apps in privacy-conscious countries like Germany and Ireland, and is generally considered safe and secure. The app is particularly effectively in dense urban areas, and NHS England's also includes features to help you check in to venues and get a test. Download it!
Get help or give help
With the short days, the cold weather, and the lockdown restrictions, this is going to be a hard time for everyone.
If you're feeling the strain or just feeling lonely and want to talk to someone the /MentalHealthUK master post is a great place to start.
Also try our Daily Observations thread or /LondonSocialClub for virtual meets!
Mutual Aid groups are local groups organised to support the most vulnerable in our communities. Find your Mutual Aid Group here.
This is not official advice - just our summary and might contain errors and omissions. Check gov.uk for the letter of the law. Please post any feedback or suggestions
He works full time and is a pig. Won't lift a finger around the house. Leaves his literal garbage everywhere. If I bag up trash and set it outside, he'll walk around it and refuse to take it around the house to the cans on his many 20+ minute smoke breaks. Weekends are soul crushing because the house can be as nearly spotless as a house can be with a toddler and by Sunday it's completely trashed because I refuse to clean up after him and he refuses to grab a vacuum and suck up the food mess both HIM and the toddler left in the living room, kitchen, dining room, and even the bathroom sometimes. This man even refuses to wipe off his shit smears on the toilet bowl and regularly splatters shit up onto the underside of the seat. I haven't cleaned "his" toilet in months and there's a nasty brown ring in it cause he leaves his piss in there for days and only flushes if he shits but won't make sure it all went down so sometimes there's still shit floating in there. Unfortunately its the bathroom with the tub so I have to clean the tub for my kid and I to bathe. He had four days off for Christmas and again for New Years. God strike me dead if I'm lying that my socks were brown and crusted from the crumbs of food and mud he tracked in. There's a bench and a boot tray by the door. I watched him come in, step OVER the boot mat right in front of the door, walk through the living room, stop to scrape his boots on the living room rug his daughter lays on and plays on all day, and then trip down the hall to our room with light tan carpet. The mud stains on the rug are still there because I don't own a carpet cleaner and the rentals are out right now. I fully believe he does this om purpose as a way to blatantly disrespect me and tell me to go fuck myself. Over his four day Christmas vacation, he walked out the door and disappeared for 11 hours. When I asked him where he was, he told me he was two towns over (2 hours one way) with his mom shopping. He just walked out the door and decided for me that I wasn't going to get to enjoy any time for myself and that I was going to parent alone. He didn't even ask how our kid was doing. Over his four day New Years vacation, he pulled thr disappearing act TWICE. On New Years eve he decided he was going to go to the casino with his mom. Never mentioned this or asked how I felt about it. Just walked out the door and left the toddler with me. Never asked how she was doing. Came home at 3am. On New Years day, I woke him up at 8 am and he got mad because he had gotten in late. Not my problem. He then stormed around the house for a few hours until his mom called him to ask if he wanted lunch. He didn't talk about it with me. I overheard it (she was on speaker) and he just started getting dressed. When I asked where he was going with his mom, he said "No where." So he's lying. Okay. So I call her up and ask if she'd like to hang oit with her grand daughter and she says yes! Send her with him! (I told her I needed to get some work done without her up my ass). This pisses him off and he goes and sits in his car so that I am forced to get her ready and her bags packed with snacks and clothes and diapers and toys and I put her in the seat and kiss her goodbye. Not even 40 minutes later he bangs open the door and she's crying. He rants about how she was a BRAT the entire time and embarrassed him and blah blah blah. Shit I deal with daily because she's a toddler and that's what they do. He puts her down, dumps her bags down, and walks out the door. He's gone from 2pm to 1am. He just decided for me that he was going to force me to care for her instead of getting my work done because he didn't want to parent that day. So the next day, Saturday, I wake up before the two of them, set the monitor right next to him on full volume, and walk out the door. I got some work done, groomed my dog (takes an hour just to dry him after a bath and then I gave him a hair cut), sat in a parking lot with a hot lunch, browsed a Home Goods. I was gone 5 hours and I was dying to get back home. I never called to ask how she was and I desperately wanted to. I went back home to a fucking pig sty of a house. She was also filthy from feeding herself a messy lunch and not being cleaned up after. She was also over tired and sobbing when she saw me because of course he didn't put her down for a nap. How the hell am I supposed to enjoy being "off duty" and doing things I want to get done or just playing hooky from parenting? I thought about getting a hotel room just for me, but I'd be miserable sitting in a room all by myself constantly fighting the urge to video call to see her. And then I know I'd go home to even more work than would have happened if I had just stayed. How do I manage to act like a man who clearly wants to skip out on parenting every chance he can even just for one day/night???
Covid-19 Update for December 8: 1,727 new cases, 1,397 recoveries, 9 deaths + Announcement of additional mandatory measures
Data is taken from the Covid-19 portal and today's availability by Dr Deena Hinshaw, Premier Jason Kenney, Minister of Health Tyler Shandro, and Minister of Jobs Doug Schweitzer. Dr Hinshaw's next availability is tomorrow. There are currently enhanced measures in effect for multiple regions of Alberta and have been enhanced as of today. This link provides a quick summary of which ones are in effect for different regions of Alberta. Top line numbers:
For values where "Current" and "Total" are the same, I have left results under Total
Value
Current
Change
Total
Total cases
—
+1,727
71,379
Active cases
20,388
+321
—
Cases with "Unknown source"
10,575 (83.9%) in last 7 days
+427 (+0.4%)
—
Tests
—
+19,071 (~9.06% positive)
2,410,675
People tested
—
+7,433
1,534,783 (~355,521/million)
Hospitalizations
654
+45/+35 based on yesterday's post/portal data
2,325 (+64)
ICU
112
+4
413 (+10)
Deaths
—
+9 (4x 70-79, 5x 80+)
640
Recoveries
—
+1,397
51,000
Spatial distribution of people tested, cases, and deaths (since yesterday):
All other values are compared with respect to yesterday
Zone
Active Cases
New People Tested
Total
New Cases
Total
New Deaths
Total
Calgary
7,529 (+57)
+2,654
621,003
+583
28,946
+2
215
Central
1,526 (+53)
+1,005
134,204
+176
3,881
+1
20
Edmonton
9,383 (+193)
+2,664
513,626
+791
29,901
+5
304
North
1,212 (+65)
+739
143,747
+165
4,757
+0
51
South
646 (-8)
+307
97,153
+57
4,307
+1
50
Unknown
92 (-39)
+64
25,050
-45
236
+0
0
Spatial distribution of cases for select cities and regions (change since yesterday) (cities proper for Calgary and Edmonton):
City/Municipality
Total
Active
Recovered
Deaths
Edmonton
24,542 (+625)
7,586 (+151)
16,692 (+469)
264 (+5)
Calgary
24,245 (+507)
6,490 (+117)
17,562 (+388)
193 (+2)
Brooks
1,296 (+2)
24 (-4)
1,258 (+6)
14 (+0)
Lethbridge
1,175 (+22)
259 (+9)
909 (+13)
7 (+0)
Fort McMurray
906 (+20)
222 (-3)
682 (+23)
2 (+0)
Red Deer
832 (+45)
373 (+18)
449 (+27)
0
High River county
658 (+2)
49 (-6)
602 (+8)
7 (+0)
Grande Prairie
562 (+15)
106 (+10)
451 (+5)
5 (+0)
Mackenzie county
447 (+4)
19 (+4)
415 (+0)
13 (+0)
Medicine Hat
334 (+11)
89 (-3)
240 (+14)
5 (+0)
I.D. No 9 (Banff)
324 (+8)
109 (-14)
215 (+22)
0
Cardston county
200 (+2)
37 (-2)
157 (+4)
6 (+0)
Wheatland county
146 (+1)
6 (-1)
140 (+2)
0
Warner county
137 (+1)
30 (-2)
105 (+3)
2 (+0)
Wood Buffalo municipality
111 (+1)
8 (+0)
103 (+1)
0
Rest of Alberta
16,113 (+461)
4,981 (+47)
11,010 (+412)
122 (+2)
Other municipalities with 10+ active cases is given at this link Schools with outbreaks are listed online. Quick numbers (as of today):
108 schools are on Watch (+2)
141 schools have 2-4 cases (+10)
Spatial distribution of hospital usage (change based on yesterday's post):
Hospitalization zone are where the patient is receiving care, not zone of residence
Zone
Hospitalized
ICU
Calgary
198 (+14)
34 (+2)
Edmonton
357 (+22)
66 (+3)
Central
50 (+3)
6 (+1)
South
18 (+4)
2 (-1)
North
31 (+2)
4 (-1)
Statements by Premier Kenney Opening Statements
Here to lay out additional health measures which are necessary to protect healthcare system and save lives
Alberta has faced most of the year with lower levels of spread, hospitalizations, and fatalities
Having said that, last few weeks are different
Incredible work is being done by healthcare workers in face of this
Delays in surgeries have occurred, which for some may result in a shorter lifespan
Not doing anything now will result in continued growth of hospitalizations and further strain on healthcare
On advice of chief medical officer, restrictions have occurred. Government realizes that this can impact businesses and cause adversities
Knows many feed policies are unjust and why provincial government has stressed education first instead of using policy
On the other hand, while space can be made, it will have further health impacts (e.g. running out of capacity in hospitals)
If stronger action isn't taken now, hundreds or thousands more Albertans will die
Data appears to suggest a stabilization (around a reproductive factor of around 1.2), but that isn't enough
New Restrictions
As of today, all outdoor and indoor social gatherings are banned
The mask mandate will expand to all indoor places, with exception of rental homes and farm operations
As of December 13th, 12:01 AM:
(1) Retail, grocery stores, and shopping malls are restricted to 15% of capacity, down from 25%. Kiosks are open for takeaway service only. Malls cannot be used for socialization and shopping only
(2) Places are worship to 15% occupancy with previous restrictions applying. Online and drive-in services are still recommended
(3) Restaurants, pubs, bars, lounges and cafes are restricted to takeout and delivery services only. This will open up their access to provincial and federal supports
(4c) Indoor entertainment (e.g. libraries, science centres, water parks)
(4d) Trade centres
The restrictions do not apply to service visits, healthcare, or childcare .
(5) All Alberta employees must work from home unless employer requires physical presence for operational reasons (up from a recommendation)
No changes to schools beyond what was previously announced
These are all province wide and will be in effect for 4 weeks
Goal has been to be targeted. However, the whole province is seeing significant spread
Christmas
Knows the holidays are important for many people
The hard truth is that the single source of spread is at-home gatherings
If we let people gather for Christmas, we'll see a spike in cases
We can't let that happen, so please follow the gathering restrictions previously noted (only in-household or with 2 close contacts if you live alone)
Increased Enterprise Support
This isn't the fault of anybody who followed the guidelines
Until the contact tracing system was overwhelmed, we didn't see it being the fault of business owners
But we are seeing spread so widespread, it doesn't matter how careful you were
These are decisions are a last resort
Knows this impact will be real. So financial support for small and medium size enterprise
4x growth in small and medium enterprise relaunch grant, while lowering eligibility from 40% of revenue lost to 30%. This will also be retroactive to March
Closing Statements
Thanks Albertans for their work for most of the past 9 months
We are seeing the end with vaccination possibly beginning in weeks...the end is in sight
Q&A
Why now, instead of two weeks ago?: Goal is to reduce contacts, assuming Albertans respond. This should be a very strong message and reduce transmissions. Measures have been increasingly harsh because each restriction creates harms, will hurt people who have sunk all their money in a business, and potentially increase self-harm. So this is a last resort
Why keep retail open instead of just curbside?: Encourages curbside, but some people may not be able to live without basic goods. Even most stringent policies around the world have kept retail open in some capacity. Feels the designation of essential and non-essential businesses in spring was a mistake
Why is cabinet being transparent about the reproductive value (R or Rt)?: Are preparing ways to publicly present this data, as well as healthcare capacity. Targeting next week
Do you think the softer measures before will cost lives/make economic recovery more difficult?: Shutting down early would have had significant impacts. Thinks it'd be a huge mistake to draw correlations between strictness of restrictions and outcomes and that there is a reasonable balance being stuck
Since you defined Covid representing "a tiny percent" of deaths, 300 deaths have occurred. There have been significant growths in hospitalization and cases. Do you take personal responsibility?: Rejects the premise of the question and calls it more of an "NDP speech". Feels the province has done more than other jurisdictions, especially early on. Also notes that BC, who has a government of opposite end of the political spectrum, has had a similar approach
Statements by Minister Shandro Additional Details on Health Measures
Goal is to limit in-person interaction
Retail restriction has a floor of 5 people
Ski hills can remain open, provided restrictions are followed
Realizes that this is a lot to take in, but person-to-person exposure is fuelling the spread
We need limit contacts and be aware of the situation around you (even outdoors or at the grocery store)
Q&A
How does outdoor gathering ban even work?: Goal is to restrict social gatherings. So do not socially gather indoors or outdoors. If they gather in a park or on the sidewalk, that isn't allowed. Difficulty will certainly lie in enforcement and hopes it won't need to be used. It will be up to law enforcement to determine if they feel they need to use it
(Additional comment by Dr Hinshaw: Intention is to prevent group social activities. Not prohibited is fitness activities provided distancing occurs)
Statements by Minister Schweitzer Opening Statements
Wants to make people aware that there will be significant impacts. This is not lost on anyone in government
Knows many people are impacted because people have ignored public health orders.
Additional Details on Small Business Supports
40% may not be able to re-open after these closures without supports
Small businesses may now qualify for $20,000 support (up from $5,000) with a decrease in revenue lost to 30%
An additional 15,000 businesses should be able to qualify for this (totalling 500 million dollars)
Q&A
How many people will be affected with these restrictions?: ~30,000 businesses will be affected. Will be seeing how many people
Statements by Dr Hinshaw Cases
426 schools have active cases (~18%) with total of 1,701 cases
108 schools on watch list (5+ active cases)
Edmonton Zone
The Royal Alexandra Hospital has decided to place facility on "Watch" status as a precautionary measure
Hospitals are safe places to receive care, but be aware that staff are under extreme stress
Edmonton Zone will enact additional measures:
(1) Postponing up to 60% of non-urgent surgeries (up from 30%)
(2) Diagnostic imaging may be reduced by up to 40%
(3) Ambulatory visits and procedures may be reduced as needed
AHS will contact those who are impacted
This is why these measures are needed and a sign of how Covid may impact more than the ill
Scope of the Situation
If you gathered all the people who have tested positive, it would be the 5th largest city in Alberta
1/3 people have been tested
On October 8, positive rate was 1.34% with 184 cases in province
Today, positive rate is 9% and 7 day average is 1,785
Outbreaks in almost all group settings
People from 1 to 108 have been infected
Knows restrictions will impact many people
The fastest way to get there is to embrace these restrictions
Knows many people have embraced already, but everybody will need to do more
Q&A
Why do we think these measures will work, after the last two rounds?: This is the most significant round of restrictions. Points to Israel as an example (who shrunk their cases faster than even their first wave). Target will be to bring the health system out of risk
If someone is coming in from out of province, is that allowed?: If it's someone from out of province, it isn't allowed
A follow up question noted an example of family members in Alberta were quarantining were 2 weeks before Christmas. Challenge is that enforcement of a "quarantine" will be difficult to control. Province is saying "gathering for Christmas" won't be allowed with people who don't live in the home. Knows it's a big imposition but any suggestions like in the question may cause a Thanksgiving-like increase in spread
COVID-19 - Christmas lockdown rules - what you can and can't do
The Catalan government has just announced updated rules and guidelines for the Christmas period.
As of Monday 21 December:
You are not allowed to leave or enter Catalonia without good reason (e.g. work, emergency, important administrative reasons, court summons, caring for dependents, etc), or to visit family. Comarca/county lockdown Monday 21 December - Monday 11 January
You may not leave your comarca (county) during this time, except for good reason (e.g. work, school, looking after dependents, medical emergency, etc), or to visit family, or to go to a second residence or hotel or equivalent.
Comarques la Cerdanya and el Ripollès are under confinement. No entry permitted except for business or emergency reasons.
For anyone living in Barcelona, this means that you cannot leave the Barcelonès comarca apart from those exceptions.
You can meet in groups of 6 people max, with the exception of: Christmas Eve, Christmas Day, Sant Esteve (Boxing Day), New Year's Eve, New Year's Day and Reis (6 January). On these days, up to 10 people can meet, from a maximum of 2 households ('bubbles').
The daily curfew rules remain:
Everyone should be off the streets and indoors between 2200-0600.
Exceptions: 24 December until 1 am; 31 December until 1 am; 5 January until 11 pm.
Public transport schedules do not change
You can use a "self responsibility certificate" to explain why you're breaking the rules
Fines range from 300€ to 6,000€
Bars and restaurants:
May open from 7.30 am to 9.30 am, and from 1.00 pm to 3.30 pm
May open from 7 pm to 10 pm, but only for takeaways
Max 4 people per table (6 if you all live together)
Indoors: 30% occupancy
Terraces: 100% occupancy
2 meter safety distance must be observed for all customers
Deliveries until 11pm, collect take out until 10pm
Shops, stores and other businesses:
Smaller stores (under 800m2) can open with 30% occupancy
Bigger stores (over 800m2) can now also open at 30%
Shopping centers remain closed, excepting the shops that serve key needs (food, medical, etc), or which you can access directly from the street
Hairdressers and beauty salons can open, clients need a prior appointment
Culture
Cinemas, theaters and concert halls may open to 50% occupancy (max 500 people)
Museums and galleries open to 50%
Education
Schools go back on 11 January (not 8 January, as originally planned)
Sport and fitness
Outdoor sports facilities open (max 50% occupancy)
Gyms and sports centers open, max 30% occupancy, and clients will need to book in advance. Changing rooms cannot be used except for going swimming
Competitions remain suspended
Outdoors sports activities in groups of 6 max,
Others
Casinos, bingo halls etc remain closed
Indoor playgrounds remain closed
Outdoor playgrounds open until 8pm
Religious and civil ceremonies allowed, up to 30% occupancy
Work
Companies should encourage working from home, where possible
Conventions, trade shows and fairs etc. are all banned
So I just had fun reminiscing about something that happened at a Casino Hotel I used to work at a few years back and decided I would share it here. I have a few other stories I might share if you fine folks are interested. Now, on to the main event. This happened a few years ago, a week or so before Christmas if I remember correctly. For context, the TV system at our hotel sucks and requires constant rebooting. Any interruption between the TV box in the room and the server and the whole thing would stop working. On busy days it wasn't uncommon to get ten or more calls about TVs not working properly in the rooms. Thankfully, it was an easy fix, but it was a nuisance to have to go up to the room to fix such a minor issue. So I'm covering a night audit shift with one of the regular auditors when we get a call from a guest who says his TV is not working, and that he's having trouble with the TV remote. In my head I'm thinking this is one of two things: the TV and/or remote isn't working, or he doesn't know how to get it to work (you might think it's silly but some people try some really dumb things with TVs and TV remotes when they don't work). I tell him I'll be up shortly, hang up, grab a fresh remote from the back office and get ready to head up to the room. Just as I am about to leave, we get a call again at the desk. Not wanting to leave my post for too long, I decide to answer it is in case I have to go to another room for a similar issue. The same guy is calling back. "Yeah...uh...the TV is working," he says, but there's something off about the way he says it. "The TV and remote are working?" I ask, and he says that they are. I figure that he must have made a silly mistake and got everything working, so I put everything back and get back to my work. About 15 minutes pass when the same guy calls again. "...uh...the TV is not working." Now I know something is up. "Alright, I'll be up shortly." I glance over to my coworker and who flashes a look of 'well that's weird' and I get my stuff again for the reboot. I head up to his room and knock on the door. The guest answers the door in his underpants and looks at me, dumbfounded. He looks at me like he has no idea why I'm even at his room (it only took me a minute or two to grab the TV remote and get to his room). After an awkward silence, I politely ask, "there's something wrong with the TV?" He waits a second and says, "oh...yeah." Now, normally the guest steps aside to let me in the room and address the problem, but not this guy. He just stands there, in the doorway, in his underpants, waiting for something to happen. "May I take a look?" I ask, and he finally steps aside. As I step into the room, I notice a remote against the corner of the wall in pieces on the floor. It looked as though they disassembled it and my first thought was: 'did this guy honestly try to fix a busted TV remote?' In the four years I worked there I've seen people try some pretty dumb things to fix stuff that doesn't work so this wasn't altogether surprising. In an attempt to diffuse the tension I ask in jest, "did you have trouble fixing the remote?" Once again he looks at me like he has no idea what I'm talking about, so I motion towards the busted remote and he finally clues in. "Oh...yeah," is all he says. I'm realizing that this guy, who is still holding his bedroom door open in his underpants, is probably intoxicated or high on something (I do not care to guess what kind of powerful intoxicants they were). I decided that I'm just going to finish up the reboot as quick as possible and get back to work; so I turn my attention towards the TV and I finally realize why the TV wasn't working. You see, when you enter the rooms at my hotel you can't actually see the TV from your vantage point and I had turned my back to it without getting a clear look at the thing while dealing with the remote. The TV was...SMASHED. There were two clear spots on the screen where he punched the thing and shattered the whole screen. It's at this point when it hits me: I am alone, at 3:30 in the morning, with an intoxicated guest in their room, with a TV that he punched in a fit of rage when it didn't work for him. 'I NEED TO GET THE F**K OUT OF HERE' is the only thing that went through my mind. I quickly unplug the TV and TV box to prevent any further damage and inform the guest that I won't be able to fix the issue that night and to check with the front desk in the morning if it's still a problem. I figured that he wouldn't be able to process that information fast enough with all the tranquilizers in his system to truly understand what I said before I was out the door. My plan worked like a charm. I rush down to the front desk and the other guy I was working with realizes that something happened, so I tell him. Neither of us had ever dealt with destruction of property, so we called the security supervisor to ask their opinion. After checking on the room, they felt that the guest likely passed out for the night and they wouldn't stir a hornet's nest unless he was causing further trouble. So I write up my email report to my manager and send it away. Thankfully, nothing happened for the rest of the night. From what I gathered after the fact, High Guy left without saying a word and the hotel and housekeeping managers checked out the damage for themselves after he left. They charged him over a $1000 in damages and he contested it a few days later. He was furious that they charged him so much and tried to pull the whole 'it was broken when I got there' line (yes, really) with my manager. When the hotel manager refused to give him his refund and reported to his supervisors what was happening, High Guy was directed to the General Manager (Casino and Hotel). She normally doesn't deal with guest issues so this was surprising, especially considering there was at least one other manager before her that could have handled it. From what I heard, he didn't get his money back (shocking, I know) and was banned from the property. I always wondered if I was in any danger being alone in a room with that guy, or how he explained the extreme hotel costs to his family after the fact. Merry belated Christmas High Guy and family, I hope your last-minute hotel booking was worth it.
Ended my gambling career (for now) on a high note - jackpot handpay to end 2020. My thoughts and ramblings as a now-retired gambler.
Warning: long rambling stories ahead. I am bored and waiting to get through my first day back at work since before Christmas. You've been warned! I've been going to the casino pretty regularly for the past few years. Before that, I played occasionally. I exclusively play slots. I view it as a night out - first with friends back when I brought $50 and played penny denom minimum bet spins and prayed to win $20, and then eventually shifting my mindset to playing higher bets and denominations. I hit my first jackpot handpay a couple of years ago. I hit $3700 on a $27 bet on a Geisha machine. I've hit a few other jackpots here and there, culminating with my biggest jackpot ever this past summer. I hit $12K on a $50 bet on a Pompeii slot machine. Well, the long story short is that I have fallen out of love with gambling. I have somehow managed to have a positive ROI on gambling. I track my withdrawls and win on a spreadsheet. To put it bluntly: I have been extremely lucky over the past few years. I know that slots are not a viable way to win money in the long run, so I made a decision a few months ago to "retire" from gambling at the end of 2020. I went to my local casino last Wednesday. It just so happens when I hit a jackpot that I usually do it within the first half hour or so I'm at the casino. Well, it happened again. After going up $600 or so on another slot machine (I don't remember the name), I went to one of my most hated/favorite old school slots - Zeus dollar denomination. One of my worst moments in all of gambling was a few years ago. I got a bonus round on the Zeus dollar denomination on max bet of $45 a spin. I was BEYOND excited. I've seen Youtube videos where people have won tens of thousands of dollars in that exact scenario. Much to my shock, I won nothing. In that game, you don't win anything for triggering the bonus. So I actually *lost* $45 on getting the bonus. I cashed out and left immediately. Anyway, last week I hit a modest $4500. It was exciting...but not as exciting as I thought it should be. I was cool, calm, and...detached. The wins didn't mean much to me, and the losses mean absolutely nothing. My wife and I are in the EXTREMELY fortunate position that losing $500 or so every week or two at the casino is affordable. I'm not ignorant to how lucky we are to be in this position. After getting paid out, I played a bit longer. But that hand pay drove home the realization that I had a few months ago: it was time to stop gambling. If I can't get pumped about a big win like that, and if I'm not even phased a little bit by losing, it's just not worth gambling any more. I used to go for entertainment, but even now gambling doesn't provide that much. As I sit now, I am up roughly $18K over three years of slots. Not bad, but not life changing. Enough that I bought my wife a Burberry and Louis Vuitton handbag on separate occasions. The rest if stashed in savings or in an investment account somewhere. But I am 100% committed to being done. At least for 2021, and probably longer. If anyone is interested in hearing my thoughts on how to win...I don't have any insight to share. It's luck. I got lucky. I know I got lucky. The usual tropes about setting win and loss thresholds is good advice. Sometimes I chased payouts and hit them. Sometimes I chased and lost. But I managed to hit more than miss, and for that I'm lucky. And thankful. Anyway. I don't have a major takeaway or anything. I don't have many people I can talk about this with in my personal life, so I figured I'd share a bit of my story here. If you do gamble, please do so responsibly. Good luck, and try to have fun. If you're not having fun, it's probably not the right way to spend your time or money. EDIT: I just wanted to say to anyone who reads this in the future that I appreciate the nice responses and PMs from people. It's nice to share a positive experience with others! I sincerely hope that if any of you choose to play in the future, you choose to do so responsibly. Gambling can be a hugely problematic lifestyle for some people. Stay safe. (end of preaching here). I also want to take a second to address some comments from some people about slots being skill based. This is 100% false. The concept of slots being skill based in any way is demonstrably untrue with three seconds of reasonable thinking. If we accept that there is a hypothetical slot game which is based on skill and not pure luck, what are the consequences of that? First of all, this information would leak out. There would be no way to contain it. If one person can solve the system, another an as well. Subsequently, someone would write a book on the subject. Think about all the poker and blackjack strategy books out there. These are games where skillful play can increase your odds of winning. Last I checked, there aren't any books or Supersytem-level analyses from prominent individuals willing to stake their names and reputations on publishing a "slot technique" book. There's a reason for this. And also - think about this: casinos still carry blackjack tables for a reason: they still have an edge to win. If there is a surefire way for individuals to win when playing slots, casinos would 100% for sure take these games out of circulation. Casinos are not in the business of giving away money. Any claim there is a foolproof way to win money playing slots does not make sense when critical thinking is applied to the circumstances. Slots are not like card games. Finding and playing only games where there is a "must win by" progressive is not the same thing as skillful play. That's more akin to something like card counting in blackjack. Many people who design slot machines and engineer the software behind the scenes have posted on Reddit and elsewhere that wins are based on random number generators running behind every spin. There is literally no skill involved - you win or lose each spin based on pure random luck. I am saying this because there are a number of people who come to this subreddit to look for ways to cheat the system and get easy money. I see posts like this fairly often, and I'm only browsing this subreddit occasionally. Gambling is not, and should not, be a way for anyone looking to make a quick buck. If you're looking to get an edge playing slots because you need to pay bills or make a quick buck, you are already in serious trouble. Do not buy into the delusion that you can get an edge or guarantee a win. People saying this are snake oil salesmen who do not care for you or your well-being. Anyway. I'm going to stop monitoring this post. I'm still open to receiving PMs or messages, but I've had my fun with this so far. I could do with fewer trolls, but this is the internet. I knew what to expect. Bon chance, everyone!
What I expected vs what I got. (Rant/My personal thoughts & feelings.)
What I wanted: A fucking solid RPG. In the vein of mass effect in terms of decisions, with heavy rpg elements, a interactive world where I had actual side activities to do instead of a one off side stories. I wanted to immerse feel like V was me in this cyberpunk universe, where I'm a mercenary who started from humble beginnings and built myself up into a legend of night city. I wanted the world to be interactive where I could go to a restaurant order some food, then hit up a bar order a drink. I wanted to visit the various shops, trying on clothes, previewing then buying testing out new weapons, and spending some time just chilling out in the shopping areas maybe a mall or two. I wanted deep character engagements. I wanted the characters that met on my way up could be a ally or a potential foe, depending on their motives and personal beliefs. I expected these characters I met to not trust me initially as I was a outsider and that I had to earn their trust and loyalty by doing jobs for them, calling them, spending time with them by going to the bar and getting a drink with them or to a nightclub for some dancing and fun. I was hopeful about getting to know the gangs and build up a rapport with them, outside of just the stereotypical "Gangs are bad now shoot them!" Mentality. Where each gang had a ally/romance option (One for males and females) exclusive to that gang. A special shop were you could buy gang attire, a cosmetic station where you could buy gang haircuts, tattoos, ect. A gang ripper doc who would argument your cybernetics with the visual ascetic of that gang. And finally a gang gunsmith where you could buy guns with that gangs specific visual skins on that weapon and special mods exclusive to that gang. I wanted actually deep romances were I met this character, and sure we might or started out on less than good terms. Though by doing missions, calling them to chat, hanging out with them outside of missions, inviting them on nights out on the town, bringing them along on jobs with me and dealing with their reactions to my actions while on the job that I'd get to know them and they me. After a couple of flings together we'd start to realize that it's something more than a one off fling as we grow closer and in naturally develops into a relationship. They would call me asking how I'm doing, text me cute little messages with the occasional picture attached to it. You know the little things. And when I go into battle they come with me as a loyal and trusted ally. Not only do they give you a key to their place, they let you drive their car, and unlock a bonus or two to help you while you are on jobs. Then they have dynamic missions that pop up, maybe they want to you to participate in a race with them, go dancing at a nightclub, help someone they grew up with, perhaps they get kidnapped and need to be rescued, maybe they want to kidnap someone and hold them for random, or something from video from there past relationship with a ex is about to be leaked online and they ask you to help stop it. What I got: A action games that feels like a cod campaign in a open world with a meh story were I'm essentially the opposite of a ghost in a shell, I'm the shell for a ghost, granted a decent looking shell, but still a shell. To add to that some extra bit of meat to this stew: I do not feel immersed in the role of V, because V is nothing like the character I wanted to be or play as. V or Vincent (Which you really could of left it as just the mysterious sounding and unique in its own way...V) doesn't feel like a character I would deem worthy of immersing into the role of, he (I played as a male) flips from being nice to people to a complete asshat on the flip of a dime. The game acts like you are given a choice to chose between your responses, but you can't, sometimes just trying to do some of the optional dialog v flips the emotion switch so fast that I find myself rolling my eyes thinking "V, did you really have to say things like that, why just why?" And it's not like you can do anything about it as you are just along for the ride on this on rails story. There are times where a character is upset and you want to be a caring choom and be there for them. Vincent either won't say anything or will have a option that sounds like something I would say but surprise nope! V says something that sounds like he's being a dick about it. In summary I don't like V/Vincent. Moving on. The game looks pretty, like really pretty (l'm on the ps5, so even though it's the ps4 pro version it still looks amazing) the textures look good and the character models do too. However, I don't like how the characters walking around night city have clothes that we can't buy and wear ourselves, like there are these cool neon transparent jackets that we can wear, there are full metallic tape outfits, and many more. The vehicles look great. But there are variations and color schemes that we just don't get to use and it's a let down. Also the vehicles handle weirdly like most of them handle like the roads are always slick with rain or sleet on the street. There's very little in terms of dynamic weather, the occasional rain doesn't cut it. Gone are the dust storms and acid rain in the bad lands. I honestly can't tell what season it is in night city, is it summer or spring? Maybe it's winter in night city and we just don't know it. Perhaps that militec crate we receive in our apartment is secretly a Christmas gift. The game has some good moments, like in the early missions with jackie. But then instead of playing six months with him, a building ourself up with the money, earning the reputation needed to attract the attention of Dexter deshawn, we just skip ahead and it's stolen from my hands. They basically skipped the story we were promised in those early trailers and that's disappointing. Then jackie gets the big are for another J named character who gets forcefully injected into our head, Johnny silverhand. Why the heck is this relic of a dude who died in 2020 stuck in our heads? Let me just say, I like Keanu, but I don't like silverhand much. The guy is meant to be a "Second Protagonist" (I thought I was the Protagonist of this story and that this was my story?) Instead it's more like Johnny silverhand's raid on V's (Vincent's......uhg still hate that name) story. At the best of times Johnny's funny and witty, adding light hearted tension breaking additions to the bleak story.. At the worst of times (More often than the former) he's annoying, he chimes in with his sabotaging dialog to ruin a good moment with his suggestions, exclamations, rants, and pestering. It's like they just are force feeding this cancer of a charcter into my bloodstream. He's like a child that constantly does whatever they can do to get attention. Or like the Mr.Meeseeks from rick & morty, always popping up going "I'm Johnny! Look at me!", I have to break out the flyswatter and tell him to buzz off. I feel like his inclusion as a main focal point of the story, has robbed me of my own story. Like yes there's a reputation system in the game but it doesn't effect much besides unlocks a very small mentions. Even when you hit the highest reputation, you aren't a "Legend of Night City!" You are still a two-bit terminally ill excuse of a mercenary, with a botched reputation, and semi antagonistic ghost stuck in your head. No one really knows who you are or cares, save for a small band of characters who know you personally. I'm sure jackie would be turning over in his grave to see that his sacrifice to help his choom make it to the top was for nothing. There's nothing to do in terms of side activities in night city. Not side jobs, not side rent a cop distractions. I mean actual activities that aren't tied to a side mission. Fight clubs that aren't just a side, aren't here. Night clubs that you meet flirt with npcs, pickup one night stands, hell grab a drink and visibly drink it, dance in third person, in some club there's not even a dj, nope not in the game. Gambling? Nope sorry choom it's not here either, there's a casino in the game and you can't play anything in it, the pachinko machines have a arrow like the vending machines to show where you can interact with them but nope. Dynamic, non scripted, and non story related street races? Forget about it. You want gun range competitions? There's one and it's scripted. The missing features and fact that the game was promoted to have these only to have them cut sucks because these were things that made the game stand out besides the cyberpunk skin thrown over a city. I'm not going over all of them since there's plenty of videos plastered over YouTube about them. I will however mention two. The train system would've been a excellent edition to the game to give us a leisurely tour through night city. Especially if fast travel wasn't a thing and the train was fast but not instant, with dynamic events on it, like conversations with npcs, gang members getting on and hassling people, live concerts, and talents being shown off to help organically past the time. The second is third person cutscenes. These would've given us a chance to see our Vs in their custom outfits. Not only that but it would've given more emotion to the situations because we could see the emotion on v's face, instead of the disconnect we currently have. Also it would've given the devs third person animations of v to use in the optional third person camera angle for walking through night city, instead of the absolute mess we have for animations when the game is modded to third person or just clips to third person. On the topic of animations, the animations in general need work, they all look really weird in the shadows and other times when you notice them, I know the game was rushed but that should've been in the baseline of developing v's movement. The results: A mediocre gumbo of a game. It looks pretty but tastes bland and leaves you feeling hungry a hour after you eat it. The skeleton of the game needs work before they add to it, but I knew that. Though there's so much lacking from the core of the game, that even if the game ran perfectly well the story is subpar. The characters all feel like one off stories in they aren't in the main story. And even then sometimes even they do to. The city looks pretty but is hallow side from artwork and visuals. And I do not feel like im a character in this universe at all, rather I'm on the outside of the game, looking into the game, from above and from there, then looking down at the V's poor excuse for a buddy adventure with Johnny silverhand. However I would consider this game a action open world game with some lite rpg elements. Not a full on next gen rpg. In closing. I do like the game, but I'm not afraid to critique it. I'm not blinded in my opinion by Keanu inclusion, dry pr speak or apologies, or the even the youtubers. This is my opinion. Someone else's might differ and that is okay. But I critique my own creations and still love them, and I will do the same for something that I bought with my hard earned money through working my job. If I buy your game I have the right to critique and analyze it. There's no nda on the fans lol.
These are the statistical top 500 movies of all time, according to 23 different websites
Hey everyone, great to be back again. Some of you might remember a similar title from a post I made back in April, where I made a list of the top 250 movies with 13 sources, or a preview of this list I made last month. I want to emphasize that this is NOT an official ranking nor my personal ranking; it is just a statistical and, personally, interesting look at 500 amazing movies. These rankings reflect the opinions of thousands of critics and millions of people around the world. And I am glad that this list is able to cover a wide range of genres, decades, and countries. So before I get bombarded with "Why isn't X on here?" or "How is X above Y?" comments, I wanted to clear that up. I sourced my data from Sight & Sound (both critic and director lists), TSPDT, iCheckMovies, 11 domestic websites (Rotten Tomatoes, Metacritic, IMDb, Letterboxd, TMDb, Trakt, Blu-Ray, MovieLens, RateYourMusic, Criticker, and Critics Choice), and 9 international audience sites (FilmAffinity, Douban, Naver, MUBI, Filmweb, Kinopoisk, CSFD, Moviemeter, and Senscritique). This balance of domestic/international ratings made the list more well-rounded and internationally representative (sites from Spain, China, Korea, Poland, Russia, Czech Republic, Netherlands, and France). As for my algorithm, I weighted websites according to both their Alexa ranking and their number of votes compared to other sites. For example, since The Godfather has hundreds of thousands of votes on Letterboxd but only a couple thousand on Metacritic, Letterboxd would be weighted more heavily. After obtaining the weighted averages, I then added the movie's iCheckMovies' favs/checks ratio and TSPDT ranking, if applicable. Regarding TSPDT, I included the top 2000 movies; as an example of my calculations, Rear Window's ranking of #41 would add (2000-41)/2000=0.9795 points to its weighted average. I removed movies that had <7-8K votes on IMDb, as these mostly had low ratings and numbers of votes across different sites as well. For both Sight & Sound lists, I added between 0.5 and 1 point to a movie's score based on its ranking, which I thought was an adequate reflection of how difficult it is to be included on these lists. As examples, a #21 movie would have 0.9 points added while a #63 would have 0.69 points. So without further ado, the statistical top 500 movies ever made. I separated the scores into overall, critics, domestic, and international columns to make comparisons easier. This list on Letterboxd.
Ranking
Title
Overall Score
Critics
Domestic
International
Year
Director
1
The Godfather
93.89
97.73
90.50
89.36
1972
Francis Ford Coppola
2
The Godfather: Part II
91.93
93.30
89.04
88.06
1974
Francis Ford Coppola
3
Seven Samurai
91.05
97.38
87.63
85.90
1954
Akira Kurosawa
4
12 Angry Men
90.45
95.45
88.74
88.62
1957
Sidney Lumet
5
City Lights
89.94
96.75
85.67
85.93
1931
Charlie Chaplin
6
The Good, the Bad and the Ugly
89.45
91.20
87.81
86.59
1966
Sergio Leone
7
The Shawshank Redemption
89.41
82.95
89.49
89.18
1994
Frank Darabont
8
Psycho
89.29
95.23
85.70
85.01
1960
Alfred Hitchcock
9
Modern Times
89.28
95.55
85.21
85.37
1936
Charlie Chaplin
10
Schindler's List
89.08
93.80
87.22
87.29
1993
Steven Spielberg
11
Pulp Fiction
88.85
92.60
87.69
86.42
1994
Quentin Tarantino
12
Rear Window
88.63
97.65
85.40
83.33
1954
Alfred Hitchcock
13
One Flew Over the Cuckoo's Nest
88.55
87.38
86.28
86.97
1975
Miloš Forman
14
Apocalypse Now
88.54
93.85
85.24
83.48
1979
Francis Ford Coppola
15
Tokyo Story
88.49
98.30
85.16
83.76
1953
Yasujirō Ozu
16
Spirited Away
88.34
93.78
86.80
85.91
2001
Hayao Miyazaki
17
GoodFellas
88.03
91.48
87.00
84.03
1990
Martin Scorsese
18
Vertigo
88.02
95.60
84.05
82.76
1958
Alfred Hitchcock
19
Singin' in the Rain
88.01
97.65
83.95
83.13
1952
Gene Kelly, Stanley Donen
20
Sunset Boulevard
88.00
95.45
85.44
84.22
1950
Billy Wilder
21
Citizen Kane
87.83
99.03
83.06
82.22
1941
Orson Welles
22
Harakiri
87.79
85.83
88.00
86.29
1962
Masaki Kobayashi
23
Rashomon
87.74
96.55
83.52
82.73
1950
Akira Kurosawa
24
Once Upon a Time in the West
87.71
86.65
85.48
84.62
1968
Sergio Leone
25
Fanny and Alexander
87.54
97.30
83.15
83.00
1982
Ingmar Bergman
26
The Lord of the Rings: The Return of the King
87.40
92.59
86.06
85.38
2003
Peter Jackson
27
Andrei Rublev
87.39
91.90
83.80
83.94
1966
Andrei Tarkovsky
28
The Passion of Joan of Arc
87.39
94.65
83.88
83.57
1928
Carl Theodor Dreyer
29
Sherlock Jr.
87.36
96.45
83.64
85.60
1924
Buster Keaton
30
Bicycle Thieves
87.35
94.70
83.91
83.46
1948
Vittorio De Sica
31
Casablanca
87.35
98.00
85.25
82.62
1942
Michael Curtiz
32
Some Like It Hot
87.28
95.30
82.11
83.73
1959
Billy Wilder
33
Persona
87.22
88.20
84.28
83.07
1966
Ingmar Bergman
34
Children of Paradise
87.21
95.33
84.81
83.27
1945
Marcel Carné
35
Taxi Driver
87.14
93.88
83.60
82.06
1976
Martin Scorsese
36
The Dark Knight
87.08
88.81
86.96
84.80
2008
Christopher Nolan
37
Metropolis
87.03
96.00
82.92
84.01
1927
Fritz Lang
38
Sunrise: A Song of Two Humans
87.02
93.95
82.23
84.02
1927
F. W. Murnau
39
Stalker
87.02
92.30
83.86
83.29
1979
Andrei Tarkovsky
40
Pather Panchali
86.96
94.35
84.40
82.80
1955
Satyajit Ray
41
Lawrence of Arabia
86.95
97.65
83.76
81.49
1962
David Lean
42
M
86.91
96.20
84.34
82.92
1931
Fritz Lang
43
Ordet
86.82
98.10
83.08
82.55
1955
Carl Theodor Dreyer
44
It's a Wonderful Life
86.77
90.45
85.17
84.90
1946
Frank Capra
45
Satantango
86.76
90.45
84.58
84.21
1994
Béla Tarr
46
Parasite
86.72
96.34
86.55
83.15
2019
Bong Joon-ho
47
The 400 Blows
86.70
96.70
83.14
82.60
1959
François Truffaut
48
Ikiru
86.56
93.80
85.48
84.29
1952
Akira Kurosawa
49
Mirror
86.50
95.60
82.75
82.34
1975
Andrei Tarkovsky
50
Come and See
86.50
90.50
85.22
83.13
1985
Elem Klimov
51
The Apartment
86.48
92.00
84.09
82.99
1960
Billy Wilder
52
The General
86.45
91.45
82.59
83.87
1926
Buster Keaton, Clyde Bruckman
53
Grave of the Fireflies
86.43
95.13
85.85
82.97
1988
Isao Takahata
54
Le Trou
86.41
89.95
85.46
85.14
1960
Jacques Becker
55
The Battle of Algiers
86.37
95.40
82.64
81.24
1966
Gillo Pontecorvo
56
A Man Escaped
86.34
96.50
83.67
82.03
1956
Robert Bresson
57
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
86.34
95.85
84.37
83.03
1964
Stanley Kubrick
58
Paths of Glory
86.25
92.30
84.97
84.48
1957
Stanley Kubrick
59
The Lord of the Rings: The Fellowship of the Ring
86.24
88.75
85.61
84.31
2001
Peter Jackson
60
All About Eve
86.23
96.95
83.69
83.20
1950
Joseph L. Mankiewicz
61
Star Wars: The Empire Strikes Back
86.21
86.93
87.05
83.29
1980
Irvin Kershner
62
High and Low
86.16
86.55
86.08
84.26
1963
Akira Kurosawa
63
The Great Dictator
86.15
91.10
84.25
85.03
1940
Charlie Chaplin
64
The Silence of the Lambs
86.12
88.68
85.29
84.17
1991
Jonathan Demme
65
2001: A Space Odyssey
86.06
88.35
82.93
81.54
1968
Stanley Kubrick
66
North by Northwest
86.03
96.38
83.17
81.74
1959
Alfred Hitchcock
67
Double Indemnity
85.91
94.38
83.84
83.12
1944
Billy Wilder
68
Ugetsu
85.91
97.25
82.69
81.91
1953
Kenji Mizoguchi
69
Woman in the Dunes
85.91
93.95
84.71
83.77
1964
Hiroshi Teshigahara
70
Sansho the Bailiff
85.88
95.50
84.24
82.21
1954
Kenji Mizoguchi
71
Once Upon a Time in America
85.87
86.10
83.84
85.53
1984
Sergio Leone
72
City of God
85.86
84.08
86.39
84.00
2002
Fernando Meirelles, Kátia Lund
73
Late Spring
85.81
94.75
83.74
82.27
1949
Yasujirō Ozu
74
Barry Lyndon
85.80
87.95
82.44
82.30
1975
Stanley Kubrick
75
The Lord of the Rings: The Two Towers
85.78
88.78
85.00
84.29
2002
Peter Jackson
76
Raging Bull
85.77
90.48
82.01
81.80
1980
Martin Scorsese
77
Chinatown
85.72
94.08
83.32
80.69
1974
Roman Polanski
78
Alien
85.69
91.73
84.76
82.62
1979
Ridley Scott
79
Ran
85.68
94.70
83.93
82.52
1985
Akira Kurosawa
80
The Seventh Seal
85.67
92.10
83.52
82.13
1957
Ingmar Bergman
81
The Kid
85.61
92.85
82.91
84.94
1921
Charlie Chaplin
82
Wild Strawberries
85.51
90.05
83.38
82.24
1957
Ingmar Bergman
83
A Brighter Summer Day
85.50
93.38
84.07
81.01
1991
Edward Yang
84
8½
85.48
91.20
82.59
81.09
1963
Federico Fellini
85
The Pianist
85.38
88.69
83.31
84.80
2002
Roman Polanski
86
The World of Apu
85.38
93.20
84.38
83.09
1959
Satyajit Ray
87
La Dolce Vita
85.37
94.38
81.40
80.48
1960
Federico Fellini
88
Star Wars
85.33
90.03
85.22
81.92
1977
George Lucas
89
The Best of Youth
85.31
88.78
85.31
83.64
2003
Marco Tullio Giordana
90
The Gold Rush
85.29
94.55
81.93
83.59
1925
Charlie Chaplin
91
The Third Man
85.26
96.50
82.91
80.21
1949
Carol Reed
92
The Treasure of the Sierra Madre
85.20
96.68
82.77
81.81
1948
John Huston
93
I Am Cuba
85.18
93.60
82.00
83.44
1964
Mikhail Kalatozov
94
The Lives of Others
85.14
89.03
84.12
82.73
2006
Florian Henckel von Donnersmarck
95
Witness for the Prosecution
85.13
92.65
83.67
84.99
1957
Billy Wilder
96
Touch of Evil
85.11
95.70
81.36
79.65
1958
Orson Welles
97
WALL-E
85.10
92.09
82.82
82.64
2008
Andrew Stanton
98
Scenes from a Marriage
85.02
86.85
84.80
83.06
1974
Ingmar Bergman
99
To Be or Not to Be
84.99
89.58
82.52
83.39
1942
Ernst Lubitsch
100
A Separation
84.92
94.24
83.34
80.90
2011
Asghar Farhadi
101
The Night of the Hunter
84.91
96.93
81.17
79.06
1955
Charles Laughton
102
Three Colors: Red
84.87
96.78
83.32
80.78
1994
Krzysztof Kieślowski
103
Yojimbo
84.87
91.55
83.85
82.99
1961
Akira Kurosawa
104
Back to the Future
84.85
89.38
84.47
81.94
1985
Robert Zemeckis
105
My Neighbor Totoro
84.84
87.53
83.44
83.17
1988
Hayao Miyazaki
106
In the Mood for Love
84.84
83.87
82.55
81.20
2000
Wong Kar-wai
107
Princess Mononoke
84.83
81.18
85.02
84.24
1999
Hayao Miyazaki
108
Saving Private Ryan
84.82
90.35
83.94
82.50
1998
Steven Spielberg
109
Cinema Paradiso
84.78
82.30
84.73
83.43
1988
Giuseppe Tornatore
110
La Jetée
84.75
89.25
83.27
81.80
1962
Chris Marker
111
The Wages of Fear
84.71
94.60
82.99
82.80
1953
Henri-Georges Clouzot
112
Das Boot
84.68
90.13
83.62
82.71
1981
Wolfgang Petersen
113
Fight Club
84.65
71.18
86.39
84.95
1999
David Fincher
114
Nights of Cabiria
84.64
92.25
82.72
83.13
1957
Federico Fellini
115
La Strada
84.61
92.60
80.79
82.78
1954
Federico Fellini
116
Amadeus
84.53
89.55
82.88
82.59
1984
Miloš Forman
117
Forrest Gump
84.50
76.90
83.06
86.12
1994
Robert Zemeckis
118
Spider-Man: Into the Spider-Verse
84.49
90.41
85.03
81.69
2018
Peter Ramsey, Rodney Rothman, Bob Persichetti
119
The Lion King
84.45
88.28
77.22
84.09
1994
Rob Minkoff, Roger Allers
120
Inception
84.43
82.07
84.18
84.17
2010
Christopher Nolan
121
Whiplash
84.42
89.53
84.87
81.96
2014
Damien Chazelle
122
The Shop Around the Corner
84.40
94.43
80.85
82.37
1940
Ernst Lubitsch
123
Rififi
84.38
92.00
83.03
81.58
1955
Jules Dassin
124
Umberto D.
84.38
92.63
82.20
81.75
1952
Vittorio De Sica
125
Army of Shadows
84.37
95.30
82.98
80.50
1969
Jean-Pierre Melville
126
Blade Runner
84.34
85.85
82.57
80.29
1982
Ridley Scott
127
Samurai Rebellion
84.33
89.05
82.85
83.84
1967
Masaki Kobayashi
128
Close-Up
84.31
85.70
81.99
80.69
1990
Abbas Kiarostami
129
The Circus
84.29
90.35
81.69
83.14
1928
Charlie Chaplin
130
Raiders of the Lost Ark
84.19
89.33
84.31
80.57
1981
Steven Spielberg
131
Grand Illusion
84.18
95.35
81.85
79.78
1937
Jean Renoir
132
A Clockwork Orange
84.18
82.78
82.37
82.51
1971
Stanley Kubrick
133
Eternal Sunshine of the Spotless Mind
84.07
89.37
83.36
80.57
2004
Michel Gondry
134
A Woman Under the Influence
84.01
87.40
82.51
80.40
1974
John Cassavetes
135
The Cranes Are Flying
84.00
89.30
82.76
82.40
1957
Mikhail Kalatozov
136
Yi Yi
83.91
91.25
82.48
79.64
2000
Edward Yang
137
To Kill a Mockingbird
83.91
89.13
81.98
82.20
1962
Robert Mulligan
138
The Matrix
83.90
77.78
84.54
83.06
1999
Wachowski Sisters
139
The Sting
83.90
85.73
82.71
83.36
1973
George Roy Hill
140
The Mother and the Whore
83.87
94.55
81.24
79.82
1973
Jean Eustache
141
Se7en
83.86
72.15
84.91
84.48
1995
David Fincher
142
Early Summer
83.85
94.45
82.19
82.01
1951
Yasujirō Ozu
143
Werckmeister Harmonies
83.80
91.73
80.89
81.93
2000
Béla Tarr, Ágnes Hranitzky
144
Coco
83.80
86.21
82.73
83.66
2017
Adrian Molina, Lee Unkrich
145
Toy Story
83.76
95.03
82.30
80.15
1995
John Lasseter
146
It Happened One Night
83.76
90.83
81.46
81.76
1934
Frank Capra
147
Reservoir Dogs
83.74
84.68
83.12
81.99
1992
Quentin Tarantino
148
Unforgiven
83.73
88.55
82.24
81.59
1992
Clint Eastwood
149
The Deer Hunter
83.73
87.68
80.57
82.06
1978
Michael Cimino
150
The Young and the Damned
83.72
87.10
82.58
80.82
1950
Luis Buñuel
151
The Best Years of Our Lives
83.68
92.63
81.19
81.20
1946
William Wyler
152
The Leopard
83.66
97.30
79.56
79.57
1963
Luchino Visconti
153
Time of the Gypsies
83.65
86.05
83.31
82.29
1988
Emir Kusturica
154
Ali: Fear Eats the Soul
83.61
96.70
80.51
79.97
1974
Rainer Werner Fassbinder
155
Raise the Red Lantern
83.57
90.25
82.37
81.81
1991
Zhang Yimou
156
Terminator 2: Judgment Day
83.57
82.00
84.11
81.83
1991
James Cameron
157
The Shining
83.55
75.35
84.08
81.80
1980
Stanley Kubrick
158
Viridiana
83.54
92.95
80.68
80.81
1961
Luis Buñuel
159
Portrait of a Lady on Fire
83.52
93.59
83.08
80.02
2019
Céline Sciamma
160
Greed
83.51
97.05
80.65
80.64
1924
Erich von Stroheim
161
Gone with the Wind
83.48
92.90
80.01
81.68
1939
Victor Fleming
162
There Will Be Blood
83.48
89.65
81.91
79.02
2007
Paul Thomas Anderson
163
L.A. Confidential
83.46
91.63
82.08
80.81
1997
Curtis Hanson
164
Paris, Texas
83.46
83.95
82.89
81.66
1984
Wim Wenders
165
Throne of Blood
83.45
91.30
82.18
81.49
1957
Akira Kurosawa
166
Toy Story 3
83.43
93.55
81.61
80.32
2010
Lee Unkrich
167
Memento
83.43
85.20
83.78
80.76
2000
Christopher Nolan
168
On the Waterfront
83.37
93.00
82.23
79.52
1954
Elia Kazan
169
Trip to the Moon
83.37
94.70
79.96
82.83
1902
Georges Méliès
170
The Rules of the Game
83.33
96.55
80.45
78.02
1939
Jean Renoir
171
Red Beard
83.32
74.15
83.41
83.27
1965
Akira Kurosawa
172
The Grapes of Wrath
83.32
95.45
80.42
80.34
1940
John Ford
173
Au Hasard Balthazar
83.29
98.08
77.93
77.54
1966
Robert Bresson
174
Autumn Sonata
83.29
84.85
83.09
82.66
1978
Ingmar Bergman
175
Annie Hall
83.28
93.18
80.58
80.58
1977
Woody Allen
176
The Conformist
83.27
96.68
79.92
78.58
1970
Bernardo Bertolucci
177
Rocco and His Brothers
83.24
84.73
81.95
81.68
1960
Luchino Visconti
178
Dersu Uzala
83.23
74.75
82.35
83.37
1975
Akira Kurosawa
179
Cool Hand Luke
83.21
93.05
82.22
79.83
1967
Stuart Rosenberg
180
Monty Python and the Holy Grail
83.18
91.98
82.96
79.30
1975
Terry Gilliam, Terry Jones
181
Le Samouraï
83.18
92.35
82.45
79.40
1967
Jean-Pierre Melville
182
Aliens
83.18
88.73
83.29
79.61
1986
James Cameron
183
PlayTime
83.16
93.50
80.22
78.80
1967
Jacques Tati
184
The Bridge on the River Kwai
83.14
90.58
81.93
80.24
1957
David Lean
185
The Red Shoes
83.13
93.15
82.82
79.96
1948
Michael Powell, Emeric Pressburger
186
American Beauty
83.10
87.15
81.93
81.13
1999
Sam Mendes
187
To Live
83.10
84.00
82.16
82.46
1994
Zhang Yimou
188
Battleship Potemkin
83.10
95.85
77.81
80.41
1925
Sergei Eisenstein
189
Day of Wrath
83.09
93.40
81.07
81.29
1943
Carl Theodor Dreyer
190
All Quiet on the Western Front
83.07
92.85
80.05
81.48
1930
Lewis Milestone
191
It's Such a Beautiful Day
83.07
91.25
83.62
79.77
2012
Don Hertzfeldt
192
Full Metal Jacket
83.06
81.53
82.21
82.54
1987
Stanley Kubrick
193
The Cabinet of Dr. Caligari
83.05
96.40
79.84
81.83
1920
Robert Wiene
194
Kes
83.03
97.80
79.59
80.55
1969
Ken Loach
195
The Usual Suspects
83.02
80.23
84.08
81.48
1995
Bryan Singer
196
The Cameraman
83.00
93.90
80.77
81.57
1928
Edward Segdwick, Buster Keaton
197
Aparajito
83.00
90.90
81.81
81.20
1956
Satyajit Ray
198
The Elephant Man
83.00
83.00
82.10
81.87
1980
David Lynch
199
Rebecca
82.98
90.08
81.08
80.93
1940
Alfred Hitchcock
200
Make Way for Tomorrow
82.97
95.80
81.72
80.14
1937
Leo McCarey
201
The Great Escape
82.97
87.68
82.29
80.66
1963
John Sturges
202
Your Name
82.97
84.55
84.07
81.29
2016
Makoto Shinkai
203
Limelight
82.92
88.00
79.85
83.02
1952
Charlie Chaplin
204
Breathless
82.92
91.95
78.88
79.10
1960
Jean-Luc Godard
205
Underground
82.91
80.75
81.26
82.64
1995
Emir Kusturica
206
The Man Who Shot Liberty Valance
82.88
91.90
81.08
79.53
1962
John Ford
207
Aguirre: The Wrath of God
82.87
94.55
80.46
78.62
1972
Werner Herzog
208
Oldboy
82.86
78.98
84.00
81.27
2003
Park Chan-wook
209
Up
82.84
90.28
81.32
80.86
2009
Pete Docter
210
Anatomy of a Murder
82.84
94.00
80.57
80.02
1959
Otto Preminger
211
The Wild Bunch
82.84
90.35
79.45
80.12
1969
Sam Peckinpah
212
The Hunt
82.75
82.08
82.79
82.62
2012
Thomas Vinterberg
213
Il Sorpasso
82.74
95.75
82.84
79.57
1962
Dino Risi
214
The Last Laugh
82.74
95.25
79.47
81.61
1924
F. W. Murnau
215
A Streetcar Named Desire
82.73
94.60
79.89
80.26
1951
Elia Kazan
216
Life Is Beautiful
82.73
68.45
83.60
85.57
1997
Roberto Benigni
217
A Short Film About Love
82.71
87.10
81.90
81.89
1988
Krzysztof Kieślowski
218
The Shop on Main Street
82.71
94.45
82.15
80.43
1965
Ján Kadár, Elmar Klos
219
Rio Bravo
82.71
92.10
80.46
79.80
1959
Howard Hawks
220
Roman Holiday
82.70
84.55
80.74
82.42
1953
William Wyler
221
Ivan's Childhood
82.69
94.80
81.25
80.37
1962
Andrei Tarkovsky
222
The Exterminating Angel
82.68
91.10
81.66
80.17
1962
Luis Buñuel
223
Trainspotting
82.68
85.20
81.57
81.21
1996
Danny Boyle
224
The Last Picture Show
82.67
94.15
79.90
79.56
1971
Peter Bogdanovich
225
The Truman Show
82.64
89.63
79.70
82.15
1998
Peter Weir
226
Memories of Murder
82.64
82.88
82.68
80.94
2003
Bong Joon-ho
227
Faust
82.62
89.70
80.23
81.94
1926
F. W. Murnau
228
Sans Soleil
82.62
83.90
79.45
80.51
1983
Chris Marker
229
Song of the Sea
82.57
87.63
80.59
82.23
2014
Tomm Moore
230
Léon: The Professional
82.55
67.38
84.05
84.07
1994
Luc Besson
231
Fargo
82.54
87.45
82.36
79.19
1996
Coen Brothers
232
Solaris
82.54
89.95
80.91
79.69
1972
Andrei Tarkovsky
233
Sweet Smell of Success
82.52
96.53
80.81
77.62
1957
Alexander Mackendrick
234
For a Few Dollars More
82.52
79.28
82.38
83.15
1965
Sergio Leone
235
White Heat
82.51
90.65
80.77
81.24
1949
Raoul Walsh
236
Brief Encounter
82.50
88.35
80.81
81.03
1945
David Lean
237
Wings of Desire
82.49
85.70
81.30
80.42
1987
Wim Wenders
238
Diabolique
82.47
90.70
81.27
80.73
1955
Henri-Georges Clouzot
239
An Autumn Afternoon
82.45
91.95
81.68
79.85
1962
Yasujirō Ozu
240
The Tale of the Princess Kaguya
82.44
90.63
81.16
80.43
2013
Isao Takahata
241
Amarcord
82.41
85.95
79.26
80.73
1973
Federico Fellini
242
Heat
82.40
79.08
82.03
81.73
1995
Michael Mann
243
L'Atalante
82.40
95.60
78.32
78.10
1934
Jean Vigo
244
Django Unchained
82.39
83.44
82.23
81.94
2012
Quentin Tarantino
245
Jeanne Dielman, 23 Commerce Quay, 1080 Brussels
82.38
95.50
78.73
79.69
1975
Chantal Akerman
246
Kind Hearts and Coronets
82.38
95.60
80.80
79.72
1949
Robert Hamer
247
Dog Day Afternoon
82.37
88.40
81.11
79.80
1975
Sidney Lumet
248
Forbidden Games
82.37
93.75
80.36
80.99
1952
René Clément
249
The Crowd
82.35
93.35
79.21
81.23
1928
King Vidor
250
Notorious
82.35
96.78
79.96
78.21
1946
Alfred Hitchcock
251
Mary and Max
82.35
88.05
80.95
82.42
2009
Adam Elliot
252
Persepolis
82.34
88.95
80.09
80.77
2007
Marjane Satrapi, Vincent Paronnaud
253
Howl's Moving Castle
82.33
78.71
82.63
83.10
2004
Hayao Miyazaki
254
Nausicaä of the Valley of the Wind
82.33
85.10
81.54
82.03
1984
Hayao Miyazaki
255
Safety Last!
82.33
92.25
80.95
81.10
1923
Fred C. Newmeyer, Sam Taylor
256
Rosemary's Baby
82.32
94.78
79.99
78.69
1968
Roman Polanski
257
L'Avventura
82.32
92.10
79.08
78.03
1960
Michelangelo Antonioni
258
The Searchers
82.32
93.90
78.16
76.66
1956
John Ford
259
La Haine
82.30
90.60
82.38
79.56
1995
Mathieu Kassovitz
260
Three Colors: Blue
82.30
88.28
81.55
79.23
1993
Krzysztof Kieślowski
261
Chungking Express
82.30
79.95
82.29
80.73
1994
Wong Kar-wai
262
Inside Out
82.29
93.66
80.27
79.85
2015
Pete Docter
263
Where is the Friend's Home?
82.28
89.25
81.22
80.21
1987
Abbas Kiarostami
264
Cries and Whispers
82.27
85.45
81.02
80.80
1972
Ingmar Bergman
265
Napoleon
82.22
93.25
81.89
78.99
1927
Abel Gance
266
Paper Moon
82.19
83.08
81.37
81.29
1973
Peter Bogdanovich
267
The Spirit of the Beehive
82.17
89.83
79.31
78.91
1973
Víctor Erice
268
A Special Day
82.16
90.20
81.11
81.25
1977
Ettore Scola
269
Nostalghia
82.15
83.00
80.91
81.23
1983
Andrei Tarkovsky
270
Network
82.13
85.45
82.36
79.08
1976
Sidney Lumet
271
L'Eclisse
82.11
84.70
79.78
78.81
1962
Michelangelo Antonioni
272
Mr. Smith Goes to Washington
82.09
80.83
81.78
81.15
1939
Frank Capra
273
Sanjuro
82.09
91.90
81.67
80.85
1962
Akira Kurosawa
274
Badlands
82.06
93.38
79.77
77.21
1973
Terrence Malick
275
Vivre Sa Vie
82.06
85.20
80.12
79.83
1962
Jean-Luc Godard
276
Nobody Knows
82.06
87.18
81.12
81.15
2004
Hirokazu Koreeda
277
No Country for Old Men
82.05
90.68
80.56
78.47
2007
Coen Brothers
278
Spring, Summer, Fall, Winter... and Spring
82.05
86.05
80.76
80.62
2003
Kim Ki-duk
279
La Notte
82.04
78.35
81.45
81.11
1961
Michelangelo Antonioni
280
The Celebration
82.04
84.23
81.34
80.08
1998
Thomas Vinterberg
281
In the Name of the Father
82.04
84.90
81.14
81.85
1993
Jim Sheridan
282
I Am a Fugitive from a Chain Gang
82.02
89.55
80.18
81.56
1932
Mervyn LeRoy
283
Shoplifters
82.01
92.39
80.60
79.31
2018
Hirokazu Koreeda
284
Finding Nemo
82.01
92.60
80.13
78.76
2003
Andrew Stanton, Lee Unkrich
285
Z
81.98
87.55
82.21
79.59
1969
Costa-Gavras
286
The Phantom Carriage
81.96
95.00
80.01
80.32
1921
Victor Sjöström
287
Manhattan
81.95
86.23
80.50
79.81
1979
Woody Allen
288
Rome, Open City
81.94
95.40
80.45
79.27
1945
Robert Rossellini
289
Children of Heaven
81.93
80.15
81.24
82.01
1997
Majid Majidi
290
The Green Mile
81.92
71.93
82.95
84.38
1999
Frank Darabont
291
The Iron Giant
81.91
86.61
80.88
79.95
1999
Brad Bird
292
The Sacrifice
81.90
80.30
80.47
81.37
1986
Andrei Tarkovsky
293
The Philadelphia Story
81.90
94.95
79.79
77.86
1940
George Cukor
294
The Twilight Samurai
81.90
86.10
81.07
81.13
2002
Yôji Yamada
295
Before Sunset
81.88
87.79
81.42
78.41
2004
Richard Linklater
296
Before Sunrise
81.86
84.40
82.24
79.44
1995
Richard Linklater
297
Castle in the Sky
81.85
81.63
81.49
82.06
1986
Hayao Miyazaki
298
The Departed
81.84
86.92
82.82
79.04
2006
Martin Scorsese
299
Brazil
81.83
90.23
80.61
78.37
1985
Terry Gilliam
300
Incendies
81.81
83.85
81.88
80.74
2011
Denis Villenueve
301
The Maltese Falcon
81.81
95.65
80.24
77.28
1941
John Huston
302
The Wizard of Oz
81.77
98.03
79.38
77.17
1939
Victor Fleming
303
Le Cercle Rouge
81.76
90.03
80.81
78.54
1970
Jean-Pierre Melville
304
Monsieur Verdoux
81.76
89.80
78.55
81.34
1947
Charlie Chaplin
305
The Return
81.72
84.85
80.02
80.96
2003
Andrey Zvyagintsev
306
Secrets & Lies
81.71
90.73
80.29
78.66
1996
Mike Leigh
307
The Hidden Fortress
81.70
91.25
80.79
80.72
1958
Akira Kurosawa
308
Pan's Labyrinth
81.69
92.59
81.60
76.08
2006
Guillermo del Toro
309
Amélie
81.69
79.64
81.96
80.27
2004
Jean-Pierre Jeunet
310
Ben-Hur
81.67
86.93
79.86
80.22
1959
William Wyler
311
Fitzcarraldo
81.67
75.80
81.06
81.21
1982
Werner Herzog
312
American History X
81.63
70.13
83.58
83.00
1998
Tony Kaye
313
Ace in the Hole
81.62
79.10
80.88
81.36
1951
Billy Wilder
314
Capernaum
81.62
81.83
80.52
82.18
2018
Nadine Labaki
315
Still Walking
81.61
90.30
80.92
79.48
2008
Hirokazu Koreeda
316
All About My Mother
81.61
88.77
79.56
78.80
1999
Pedro Almodóvar
317
The Discreet Charm of the Bourgeoisie
81.60
92.28
78.82
78.83
1972
Luis Buñuel
318
Platoon
81.60
88.70
79.52
80.45
1986
Oliver Stone
319
Farewell My Concubine
81.60
80.50
80.49
81.04
1993
Chen Kaige
320
Letter from an Unknown Woman
81.59
93.10
79.84
79.31
1948
Max Ophüls
321
The Grand Budapest Hotel
81.58
87.64
80.72
79.19
2014
Wes Anderson
322
The Virgin Spring
81.58
82.45
80.70
80.66
1960
Ingmar Bergman
323
The Red Balloon
81.57
90.20
79.93
80.30
1956
Albert Lamorisse
324
Stagecoach
81.57
94.58
77.69
78.94
1939
John Ford
325
Mulholland Drive
81.56
80.61
79.60
77.87
2001
David Lynch
326
A Matter of Life and Death
81.49
92.60
81.91
76.27
1946
Michael Powell, Emeric Pressburger
327
High Noon
81.48
90.58
79.27
78.94
1952
Fred Zinnemann
328
Orpheus
81.48
96.20
79.88
78.90
1950
Jean Cocteau
329
Life of Brian
81.47
82.98
80.78
79.81
1979
Terry Jones
330
Casino
81.46
74.23
81.54
81.75
1995
Martin Scorsese
331
Kagemusha
81.44
82.93
80.01
80.43
1980
Akira Kurosawa
332
Butch Cassidy and the Sundance Kid
81.43
76.08
80.53
81.85
1969
George Roy Hill
333
In a Lonely Place
81.43
92.45
80.42
78.77
1950
Nicholas Ray
334
Scarface
81.43
71.30
81.97
82.18
1983
Brian De Palma
335
A Short Film About Killing
81.42
87.35
79.89
80.38
1988
Krzysztof Kieślowski
336
Beauty and the Beast
81.41
92.05
79.28
78.32
1946
Jean Cocteau
337
The Hustler
81.39
92.45
80.43
78.97
1961
Robert Rossen
338
Cléo from 5 to 7
81.38
91.65
80.03
79.11
1962
Agnès Varda
339
Fireworks
81.37
90.15
80.01
79.63
1997
Takeshi Kitano
340
Room
81.36
88.41
80.43
79.48
2015
Lenny Abrahamson
341
Mad Max: Fury Road
81.35
90.39
79.76
77.80
2015
George Miller
342
Steamboat Bill, Jr.
81.32
95.75
79.30
79.23
1928
Charles Reisner, Buster Keaton
343
Judgment at Nuremberg
81.31
71.58
82.24
83.03
1961
Stanley Kramer
344
The Straight Story
81.30
87.15
79.64
79.88
1999
David Lynch
345
Meshes of the Afternoon
81.29
96.25
77.91
79.99
1943
Maya Deren, Alexandr Hackenschmied
346
Alice in the Cities
81.28
86.70
79.60
80.20
1974
Wim Wenders
347
Akira
81.28
80.90
81.12
79.98
1988
Katsuhiro Otomo
348
Good Will Hunting
81.27
79.38
81.97
81.05
1997
Gus Van Sant
349
The Miracle Worker
81.25
85.15
78.88
81.55
1962
Arthur Penn
350
Talk to Her
81.25
87.48
79.33
78.71
2002
Pedro Almodóvar
351
The Graduate
81.24
85.58
78.91
79.97
1967
Mike Nichols
352
Beauty and the Beast
81.22
92.28
79.20
78.77
1991
Gary Trousdale, Kirk Wise
353
The Heiress
81.19
94.45
80.20
79.76
1949
William Wyler
354
Fantasia
81.18
93.03
76.76
79.95
1940
Samuel Armstrong, James Algar
355
Au Revoir les Enfants
81.18
94.25
80.14
78.92
1987
Louis Malle
356
Three Billboards Outside Ebbing, Missouri
81.18
88.62
79.36
79.90
2017
Martin McDonagh
357
Inglourious Basterds
81.17
79.05
81.06
80.51
2009
Quentin Tarantino
358
Elevator to the Gallows
81.16
90.45
79.31
78.56
1958
Louis Malle
359
Gladiator
81.16
75.39
81.69
81.52
2000
Ridley Scott
360
Through a Glass Darkly
81.15
93.60
81.11
78.86
1961
Ingmar Bergman
361
Million Dollar Baby
81.15
87.41
77.43
80.72
2004
Clint Eastwood
362
Days of Heaven
81.15
90.75
80.19
77.08
1978
Terrence Malick
363
Do the Right Thing
81.15
90.78
80.26
77.04
1989
Spike Lee
364
Out of the Past
81.14
91.40
80.73
77.92
1947
Jacques Tourneur
365
Strangers on a Train
81.11
93.30
80.01
78.68
1951
Alfred Hitchcock
366
Blue Velvet
81.11
83.48
78.98
77.09
1986
David Lynch
367
That Obscure Object of Desire
81.09
89.40
79.59
78.11
1977
Luis Buñuel
368
What Ever Happened to Baby Jane?
81.08
80.23
80.74
80.75
1962
Robert Aldrich
369
My Night at Maud's
81.07
88.15
79.51
79.42
1969
Éric Rohmer
370
The Earrings of Madame de…
81.07
92.15
80.36
77.05
1953
Max Ophüls
371
The Conversation
81.04
89.23
80.03
77.44
1974
Francis Ford Coppola
372
The Killing
81.03
91.50
79.51
79.21
1956
Stanley Kubrick
373
The Servant
81.03
87.83
79.45
78.57
1963
Joseph Losey
374
The Intouchables
81.03
67.15
82.13
84.70
2011
Olivier Nakache, Éric Toledano
375
The Life and Death of Colonel Blimp
81.01
94.15
81.57
75.44
1943
Michael Powell, Emeric Pressburger
376
Jaws
81.01
90.98
79.91
75.70
1975
Steven Spielberg
377
Winter Light
81.01
73.55
81.51
79.95
1963
Ingmar Bergman
378
Love Exposure
81.01
80.88
82.23
79.55
2008
Sion Sono
379
Hiroshima Mon Amour
81.00
92.95
80.13
77.99
1959
Alain Resnais
380
Day for Night
80.98
92.55
80.21
78.27
1973
François Truffaut
381
Ratatouille
80.97
92.73
78.72
78.68
2007
Brad Bird
382
Ghost in the Shell
80.97
81.43
79.98
81.15
1995
Mamoru Oshii
383
Germany Year Zero
80.95
92.00
77.80
80.03
1948
Roberto Rossellini
384
Spotlight
80.93
93.00
79.75
77.55
2015
Tom McCarthy
385
Die Hard
80.93
79.58
81.11
79.43
1988
John McTiernan
386
Laura
80.93
93.80
79.70
78.47
1944
Otto Preminger
387
Sleuth
80.93
89.95
79.16
80.87
1972
Joseph L. Mankiewicz
388
The Diving Bell and the Butterfly
80.92
88.64
79.69
77.84
2007
Julian Schnabel
389
The Handmaiden
80.92
85.99
82.55
77.41
2016
Park Chan-wook
390
Stand by Me
80.90
80.20
81.28
79.54
1986
Rob Reiner
391
Wolf Children
80.90
80.15
80.40
81.27
2012
Mamoru Hosoda
392
Marriage Story
80.88
92.86
79.40
77.75
2019
Noam Baumbach
393
Shoeshine
80.87
93.75
79.02
79.38
1946
Vittorio De Sica
394
Freaks
80.85
84.70
77.66
80.31
1932
Tod Browning
395
Nosferatu
80.85
93.75
78.29
79.14
1922
F. W. Murnau
396
Dial M for Murder
80.84
77.60
81.17
81.31
1954
Alfred Hitchcock
397
Amour
80.81
90.90
77.74
78.19
2012
Michael Haneke
398
12 Years a Slave
80.80
94.00
79.74
76.94
2013
Steve McQueen
399
The Nightmare Before Christmas
80.77
85.38
79.26
79.69
1993
Henry Selick
400
Cabaret
80.77
84.68
77.34
80.69
1972
Bob Fosse
401
Central Station
80.77
83.28
80.91
78.52
1998
Walter Salles
402
Landscape in the Mist
80.74
71.35
80.76
80.28
1988
Theo Angelopoulos
403
1917
80.73
84.37
80.65
79.33
2019
Sam Mendes
404
Intolerance: Love's Struggle Throughout the Ages
80.71
93.98
75.69
78.01
1916
D. W. Griffith
405
Call Me by Your Name
80.71
91.25
79.43
77.87
2017
Luca Guadagnino
406
Midnight Cowboy
80.71
82.98
79.10
79.50
1969
John Schlesinger
407
Shadow of a Doubt
80.70
94.38
79.31
76.04
1943
Alfred Hitchcock
408
Interstellar
80.70
74.16
81.30
82.25
2014
Christopher Nolan
409
Hannah and Her Sisters
80.69
88.95
79.15
77.98
1986
Woody Allen
410
Monsters, Inc.
80.68
85.29
79.37
80.08
2001
Pete Docter, David Silverman
411
The Testament of Dr. Mabuse
80.65
85.85
79.40
79.38
1933
Fritz Lang
412
Downfall
80.64
83.53
81.54
78.55
2004
Oliver Hirschbiegel
413
Being There
80.64
87.30
79.42
78.06
1979
Hal Ashby
414
The Killer
80.63
92.60
79.27
78.66
1989
John Woo
415
My Left Foot: The Story of Christy Brown
80.63
93.23
78.13
79.15
1989
Jim Sheridan
416
Jean de Florette
80.60
88.40
80.18
79.69
1986
Claude Berri
417
The Big Lebowski
80.57
74.80
82.28
78.57
1998
Coen Brothers
418
The King's Speech
80.57
90.86
78.50
78.59
2010
Tom Hooper
419
Whisper of the Heart
80.55
79.98
80.80
80.31
1995
Yoshifumi Kondō
420
E.T. the Extra-Terrestrial
80.54
93.08
77.22
77.82
1982
Steven Spielberg
421
Infernal Affairs
80.54
79.83
79.92
80.22
2002
Andrew Lau, Alan Mak
422
The Prestige
80.54
72.22
82.71
81.38
2006
Christopher Nolan
423
Our Hospitality
80.54
92.85
77.72
79.58
1923
Buster Keaton, John G. Blystone
424
Zootopia
80.53
85.22
78.84
80.18
2016
Byron Howard, Rich Moore
425
Toy Story 2
80.49
92.59
78.51
77.05
1999
John Lasseter, Ash Brannon, Lee Unkrich
426
Klaus
80.48
75.00
81.07
81.41
2019
Sergio Pablos
427
The Big Sleep
80.45
92.10
79.74
77.58
1946
Howard Hawks
428
Ford v Ferrari
80.45
83.94
79.37
80.01
2019
James Mangold
429
Dead Poets Society
80.44
78.70
79.43
80.75
1989
Peter Weir
430
The Terminator
80.43
89.08
78.26
78.13
1984
James Cameron
431
Naked
80.43
84.48
80.39
77.34
1993
Mike Leigh
432
Dangal
80.41
83.00
79.68
80.56
2016
Nitesh Tiwari
433
Kwaidan
80.40
81.80
79.75
79.42
1964
Masaki Kobayashi
434
The Man Who Would Be King
80.40
90.55
78.24
77.79
1975
John Huston
435
Wild Tales
80.38
82.57
80.48
79.22
2014
Damián Szifron
436
Groundhog Day
80.38
80.08
79.31
79.35
1993
Harold Ramis
437
Catch Me If You Can
80.38
83.44
78.74
80.57
2002
Steven Spielberg
438
I Vitelloni
80.36
90.28
77.64
78.06
1953
Federico Fellini
439
The Big Heat
80.35
92.90
79.27
77.87
1953
Fritz Lang
440
The Double Life of Véronique
80.35
82.63
80.19
77.87
1991
Krzysztof Kieślowski
441
Who's Afraid of Virginia Woolf?
80.35
82.58
80.19
78.43
1966
Mike Nichols
442
Requiem for a Dream
80.33
71.39
81.39
80.93
2000
Darren Aronofsky
443
Rope
80.33
79.20
80.31
79.30
1948
Alfred Hitchcock
444
Love and Death
80.33
89.83
77.55
78.50
1975
Woody Allen
445
The Remains of the Day
80.29
86.88
78.75
78.80
1993
James Ivory
446
Jules and Jim
80.28
93.70
78.30
77.94
1962
François Truffaut
447
The Gospel According to Matthew
80.28
88.30
76.50
78.52
1964
Pier Paolo Pasolini
448
How to Train Your Dragon
80.27
81.97
79.45
80.24
2010
Chris Sanders, Dean DeBlois
449
Harry Potter and the Deathly Hallows: Part 2
80.27
88.50
78.81
78.53
2011
David Yates
450
Cat on a Hot Tin Roof
80.26
87.05
79.46
79.79
1958
Richard Brooks
451
The French Connection
80.26
93.35
78.04
76.89
1971
William Friedkin
452
Opening Night
80.25
78.05
80.50
79.25
1977
John Cassavetes
453
Hotel Rwanda
80.24
84.54
79.34
79.40
2004
Terry George
454
4 Months, 3 Weeks and 2 Days
80.22
92.51
77.76
76.22
2007
Cristian Mungiu
455
Tampopo
80.22
92.40
81.20
77.01
1985
Juzo Itami
456
Scarface
80.22
93.50
76.43
79.55
1932
Howard Hawks, Howard Hughes
457
The Face of Another
80.21
87.50
79.61
79.34
1966
Hiroshi Teshigahara
458
The Roaring Twenties
80.21
86.20
77.79
80.68
1939
Raoul Walsh
459
Pickpocket
80.20
93.80
76.41
76.47
1959
Robert Bresson
460
Kiki's Delivery Service
80.20
85.45
79.87
78.84
1989
Hayao Miyazaki
461
A Prophet
80.19
89.61
79.53
76.14
2009
Jacques Audiard
462
Zelig
80.19
90.00
76.50
80.29
1983
Woody Allen
463
Trouble in Paradise
80.18
88.20
79.35
77.62
1932
Ernst Lubitsch
464
Gran Torino
80.17
76.27
78.57
82.36
2008
Clint Eastwood
465
Last Year at Marienbad
80.16
88.25
78.29
77.37
1961
Alain Resnais
466
All the President's Men
80.15
85.95
80.48
76.46
1976
Alan J. Pakula
467
Breaking the Waves
80.15
79.85
78.46
79.55
1996
Lars von Trier
468
Indiana Jones and the Last Crusade
80.14
74.28
81.44
80.57
1989
Steven Spielberg
469
Divorce Italian Style
80.12
91.00
79.28
78.26
1961
Pietro Germi
470
Edward Scissorhands
80.12
78.65
78.09
80.73
1990
Tim Burton
471
The Thing
80.12
67.98
82.60
79.34
1982
John Carpenter
472
Perfect Blue
80.11
74.05
80.91
80.09
1997
Satoshi Kon
473
Down by Law
80.10
79.03
78.98
79.61
1986
Jim Jarmusch
474
Bringing Up Baby
80.10
90.75
78.25
76.45
1938
Howard Hawks
475
The Phantom of Liberty
80.09
85.10
78.89
78.66
1974
Luis Buñuel
476
Bonnie and Clyde
80.07
85.38
78.16
78.23
1967
Arthur Penn
477
The Incredibles
80.07
89.69
79.77
75.78
2004
Brad Bird
478
Rocky
80.04
79.73
79.17
79.29
1976
John G. Avildsen
479
His Girl Friday
80.03
94.15
79.24
76.72
1940
Howard Hawks
480
Mommy
80.03
80.79
80.39
79.13
2014
Xavier Dolan
481
Mon Oncle
80.03
88.00
78.03
78.76
1958
Jacques Tati
482
My Fair Lady
79.99
91.85
77.53
78.00
1964
George Cukor
483
Charade
79.98
85.55
79.37
78.72
1963
Stanley Donen
484
Stalag 17
79.95
87.13
79.62
77.79
1953
Billy Wilder
485
Boyhood
79.95
97.08
76.08
75.95
2014
Richard Linklater
486
The Secret in Their Eyes
79.95
82.49
81.27
77.67
2009
Juan José Campanella
487
Ninotchka
79.95
90.15
77.99
78.50
1939
Ernst Lubitsch
488
Pierrot le Fou
79.94
81.75
77.84
76.65
1965
Jean-Luc Godard
489
The Enigma of Kaspar Hauser
79.94
89.10
78.30
78.27
1974
Werner Herzog
490
Stroszek
79.94
88.40
79.50
77.77
1977
Werner Herzog
491
A Hard Day's Night
79.93
93.73
76.82
77.08
1964
Richard Lester
492
Onibaba
79.90
74.75
79.42
79.96
1964
Kaneto Shindo
493
Repulsion
79.85
92.68
77.29
76.57
1965
Roman Polanski
494
Like Stars on Earth
79.85
80.50
79.54
79.86
2007
Aamir Khan, Amole Gupte
495
Duck Soup
79.84
92.33
79.01
74.92
1933
Leo McCarey
496
Carlito's Way
79.83
70.28
79.16
82.01
1993
Brian De Palma
497
Nashville
79.82
93.23
76.89
74.92
1975
Robert Altman
498
The Triplets of Belleville
79.82
88.97
76.57
78.66
2003
Sylvain Chomet
499
Dr. Mabuse the Gambler
79.81
85.10
76.88
79.98
1922
Fritz Lang
500
Gone Girl
79.79
83.03
79.32
78.87
2014
David Fincher
If you found this list interesting, I would really appreciate it if you can give my newish Youtube channel a subscribe. It would mean a lot. As always, if you know of or use any other movie website, definitely let me know. Thanks guys.
Zia Park Casino, Hobbs: "Open on Christmas Day" | Check out answers, plus see 145 reviews, articles, and 33 photos of Zia Park Casino, ranked No.3 on Tripadvisor among 10 attractions in Hobbs. OPEN ON CHRISTMAS DAY! WITH A SPECIAL Menu IIAM - 8PM $28.99 Roast Turkey with Gravy Mustard and Apricot Glazed Ham Sea Salt, Garlic, and Pepper Crusted Prime Rib Parmesan Ratatouille Portobello Eggplant and Roasted Tomato Bake King Crab Old Fashioned Sage Stuffing Garlic Smashed Potatoes Country Style Whipped Fresh Potatoes Candied Sweet Potatoes KEWADIN CASINOS Christmas Area Hotel Partners We do not have a hotel at our Christmas location. But, Kewadin Casinos has formed partnerships with area hotels to help our customers plan their vacations. ALGER FALLS MOTEL E9427 State Hwy M-28 Munising, MI 49862 906.387.3536 AMERICINN E9926 State Hwy M-28 Wetmore, MI 49895 906.387.2000 BOARDERS Christmas Buffet Friday, December 25 | 10 am – 2 pm Carving: Prime Rib & Pit Ham. $20.99 + tax | Must be 21 | 6 guests per group maximum Hollywood Casino Columbus, Columbus: "Is the casino open Christmas Day?" | Check out 5 answers, plus see 597 reviews, articles, and 39 photos of Hollywood Casino Columbus, ranked No.46 on Tripadvisor among 439 attractions in Columbus. The COVID-19 pandemic closed all commercial and tribal casino properties in the United States. This map tracks reopening across the country at the property-level. A property is considered open based on gambling availability. Please contact an individual property to determine what amenities are available. Current Status: 78 Closed | 919 Open Soaring Eagle Casino & Resort and Slot Palace will remain open with continued health and sanitation measures in place. More Info. Current Promotions. Fill Your Wallet. You could win up to $3,000 in cold hard cash! Learn More. Hot Seat Frenzy. Every Tuesday from 5:00 pm - 10:00 pm you could win $500 in Premium Play! Experience the Holiday Rising Star Casino style! Enchanting animated scenes, magnificent themed trees & Live Reindeer all in one Magical setting! The Christmas Market Village has a Bavarian Market feel & offers a unique Holiday shopping experience! The casino will operate in the following manner, including several changes, from Nov. 20 at 9 a.m. until Dec. 9 at 9 a.m.: Hours of operation will remain 9 a.m. to 5 a.m. As a nurse I appreciated the mask policy, only certain entrances open, many hand sanitizer stations and wipes placed around the casino floor to use on the machines. If you don't see them, just ask any employee and they will show you. Yes the casino looks different right now, but I appreciated their efforts.
TYLER1: THE CASINO STAYS OPEN ON CHRISTMAS EVE - YouTube
BUY GRAPHIC NOVEL: (Barnes & Noble): https://bit.ly/2BigyMz (Books-a-Million): https://bit.ly/2SGZS8u (Amazon): https://amzn.to/2EbHVLg I give my family an A... See the magic of Christmas at Crown Casino, as the magical baubles open. Merry Christmas! Visit Our Website! http://www.townsends.us/ Help support the channel with Patreon https://www.patreon.com/townsend Facebook facebo... Listen to Michael's Christmas at Home Playlist: https://MichaelBuble.lnk.to/christmasathomeFrom the album 'Christmas' (Deluxe Special Edition)Stream or Downl... Colin is one of the Pros from Blackjack Apprenticeship, as well as the subject of the documentary "Holy Rollers: The True Story of Card Counting Christians."... If you enjoyed, please be sure to comment "hehe xd" and like the video. 🌚 Thank you 💙I'm streaming EVERYDAY: https://www.twitch.tv/loltyler1/ SUBSCRIBE to... 3 SECRET Casino Work Missions At The Diamond Resort In GTA 5 Online That You Might Not Know About! Cheap GTA 5 Shark Cards & More Games: https://www.g2a.com/... Thanks for Watching How To BANKRUPT The Casino In 20 Minutes On 1 Slot Machine! Wonder 4 Boost Slot Machine W/ SDGuy1234! Like the video? Thumbs it up! Love ... Las Vegas is known to be the city of excess, but after the party, someone has to clean up. And, in Vegas, that means figuring out how to deal with an overwhe... Profitez des vidéos et de la musique que vous aimez, mettez en ligne des contenus originaux, et partagez-les avec vos amis, vos proches et le monde entier.